T2 TrainspottingT2 Trainspotting



First there is an opportunity, then there is a betrayal.

Author: John Hodge

Publisher: Faber & Faber

ISBN: 9780571338375

Category:

Page: 160

View: 270

First there is an opportunity, then there is a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him, of course: Spud, Sick Boy, and Frank Begbie. But they are not alone. Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Mark Renton returns, to the chaos of life and death.

Writers Artists Yearbook 2017Writers Artists Yearbook 2017



Steve Jobs (Walter Isaacson, screenplay Aaron Sorkin) Under The Skin (Michel Faber, Jonathan Glazer and Walter Campbell) The ... screenplay Jose ́ Rivera) Enduring Love (Ian McEwan, screenplay Joe Penhall) Trainspotting (Irvine Welsh, ...

Author: Bloomsbury Publishing

Publisher: Bloomsbury Publishing

ISBN: 9781472928665

Category:

Page: 816

View: 507

This bestselling guide to all areas of publishing and the media is completely revised and updated every year. The Yearbook is packed with advice, inspiration and practical guidance on who to contact and how to get published. New articles in the 2017 edition on: Stronger together: writers united by Maggie Gee Life writing: telling other people's stories by Duncan Barrett (co-author of the Sunday Times bestseller GI Brides) The how-to of writing 'how-to' books by Kate Harrison (author of the 5:2 Diet titles) Self-publishing Dos and Dont's by Alison Baverstock The Path to a bestseller by Clare Mackintosh (author of the 2015 Let Me Go) Getting your lucky break by Claire McGowan Getting your poetry out there by Neil Astley (MD and Editor at Bloodaxe Books) Selling yourself and your work online by Fig Taylor Then and now: becoming a science fiction and fantasy writer - Aliette de Bodard Writing (spy) fiction - Mick Herron Making waves online - Simon Appleby All articles are reviewed and updated every year. Key articles on Copyright Law, Tax, Publishing Agreements, E-publishing, Publishing news and trends are fully updated every year. Plus over 4,000 listings entries on who to contact and how across the media and publishing worlds In short it is 'Full of useful stuff' - J.K. Rowling Foreword to the 2017 edition by Deborah Levy.

Writers Artists Yearbook 2018Writers Artists Yearbook 2018



Film Steve Jobs (Walter Isaacson, screenplay Aaron Sorkin) Under The Skin (Michel Faber, Jonathan Glazer and Walter Campbell) ... screenplay José Rivera) Enduring Love (Ian McEwan, screenplay Joe Penhall) Trainspotting (Irvine Welsh, ...

Author: Bloomsbury Publishing

Publisher: Bloomsbury Publishing

ISBN: 9781472935045

Category:

Page: 816

View: 661

This bestselling guide to all areas of publishing and the media is completely revised and updated every year. The Yearbook is packed with advice, inspiration and practical guidance on who to contact and how to get published. Foreword to the 2018 edition by David Lodge New articles in the 2018 edition on: - Writing popular history by Tom Holland - Editing and writing by Diana Athill - Ghostwriting by Gillian Stern - Writing Thrillers by Kimberley Chambers - The health and wellness market by Anita Bean - Self-publishing online by Harry Bingham - How to choose your agent by Jo Unwin - First Chapters by Emma Flint - Pitching your ideas by Mike Unwin - How to make a living by Alison Branagan All articles are reviewed and updated every year. Key articles on Copyright Law, Tax, Publishing Agreements, E-publishing, Publishing news and trends are fully updated every year. Plus over 4,000 listings entries on who to contact and how across the media and publishing worlds In short it is 'Full of useful stuff' - J.K. Rowling

AdaptationsAdaptations



The outward appearance of the published screenplays of both films reinforces some of the differences in their provenance ... John Hodge's screenplay for Trainspotting carried the snappy Sight and Sound comment: 'A book no student bedsit ...

Author: Deborah Cartmell

Publisher: Routledge

ISBN: 9781136219665

Category:

Page: 268

View: 791

Adaptations considers the theoretical and practical difficulties surrounding the translation of a text into film, and the reverse process; the novelisation of films. Through three sets of case studies, the contributors examine the key debates surrounding adaptations: whether screen versions of literary classics can be faithful to the text; if something as capsulated as Jane Austens irony can even be captured on film; whether costume dramas always of their own time and do adaptations remake their parent text to reflect contemporary ideas and concerns. Tracing the complex alterations which texts experience between different media, Adaptations is a unique exploration of the relationship between text and film.

Children s Writers Artists Yearbook 2017Children s Writers Artists Yearbook 2017



Successful collaborations Film Steve Jobs (Walter Isaacson, screenplay Aaron Sorkin) Under The Skin (Michel Faber, ... screenplay José Rivera) Enduring Love (Ian McEwan, screenplay Joe Penhall) Trainspotting (Irvine Welsh, screenplay ...

Author: Bloomsbury Publishing

Publisher: Bloomsbury Publishing

ISBN: 9781472924971

Category:

Page: 480

View: 437

Foreword by Frances Hardinge The annual, bestselling guide to all aspects of the media and how to write and illustrate for children and young adults. Acknowledged by the media industries and authors as the essential guide to how to get published. The 70+ articles are updated and added to each year. Together they provide invaluable guidance on subjects such as series fiction, writing historical or funny books, preparing an illustration portfolio, managing your finances, interpreting publishers' contracts, self-publishing your work. NEW articles for the 2017 edition included on: - Wanting to be a writer by Simon Mason - Finding new readers and markets by Tom Palmer - News and trends in children's publishing 2015-16 by Caroline Horn - Series fiction: writing as a part of a team by Lucy Courtenay - Creating a children's comic by Tom Fickling All of the 2,000 listings of who to contact across the media have been reviewed and updated. The essential guide for any writer for children.

Raindance Producers Lab Lo To No Budget FilmmakingRaindance Producers Lab Lo To No Budget Filmmaking



While there he met a wannabe screenwriter, John Hodge, who was a medical doctor. John had an idea for a movie that Andrew liked, and so he paid John to write the screenplay. ... to write another screenplay. The result was Trainspotting.

Author: Elliot Grove

Publisher: Taylor & Francis

ISBN: 9781136047053

Category:

Page: 416

View: 392

If you're looking for clear-cut information on how to make a film on a minimal budget that is based on tried and tested techniques - look no further. Elliot Grove has worked on hundreds of low-budget productions, teaches Lo-to-No Budget filmmaking courses and runs the Raindance Film Festival (the largest independent film festival in Europe.) His wealth of teaching and filmmaking experience combined with knowledge of the winning formulas that work is the basis of this book. Refreshingly clear, no-nonsense tricks of the trade. The free CD provides all the contracts and material you need to run a production company and make successful low budget movies; how to schedule, budget and break down a script and how to get it shot with what you have, not what you want. This is a must have read for filmmakers serious about making and selling films. Creative and technical expertise coupled with a behind the scenes look at the film industry makes this book an excellent starting point for beginners. For experienced filmmakers there are plenty of practical approaches in here for you to try, from developing CV's, showreels and business plans to information on pitching, raising finance, creating publicity and much much more. Use it as a point of departure or as an everyday reference tool. The accompanying CD-ROM contains sample budgets, publicity plans, trailers and interviews.

How to Build a Great ScreenplayHow to Build a Great Screenplay



He offers in-depth considerations of: * characterization * story arc * plotting and subplotting * dealing with coincidence in story plotting * classical vs. revolutionary screenplay structure * tone, style, and atmosphere * the use of time ...

Author: David Howard

Publisher: St. Martin's Press

ISBN: 9781429994781

Category:

Page: 464

View: 174

How to Bulid a Great Screenplay is a definitive guide on the mechanics of screenwriting--filled with examples--from the author of The Tools of Screenwriting. Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy, How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of: * characterization * story arc * plotting and subplotting * dealing with coincidence in story plotting * classical vs. revolutionary screenplay structure * tone, style, and atmosphere * the use of time on screen * the creation of drama and tension * crucial moments in storytelling Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others. The end result is what could very well become the classic text in the field---a bible for the burgeoning screenwriter.

Alternative ScriptwritingAlternative Scriptwriting



They also allow a greater range of character and moral ambiguity, giving these scripts, and their subsequent films, a greater sense of thickness. Whether it is the surreal toilet swim in Trainspotting, the constructed narration and ...

Author: Ken Dancyger

Publisher: Taylor & Francis

ISBN: 9780240522463

Category:

Page: 466

View: 181

Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional three-act restorative and predictable plot to test your limits and break new creative ground. Rather than teaching writing in a tired formulaic manner, this book elevates the subject and provides inspiration to reach new creative heights. Alternative Scriptwriting 4E covers: * The melodrama and the thriller * Adaptations from contemporary literature * Writing non-fictional narratives for the feature documentary * An in-depth exploration of point-of-view and perspective as expressive of the film writer's voice * Voice-oriented genres--docudrama, the fable and experimental narrative * Non-linear storytelling-the narrative strategies that are necessary to make an open-architecture story work * Considerations for writing for DV that speak to the flexibility and improvisation this medium allows