Tim Burton The Monster and the CrowdTim Burton The Monster and the Crowd



In this book, Helena Bassil-Morozow employs Jungian and post-Jungian concepts of unconscious mental processes along with film semiotics, analysis of narrative devices and cinematic history, to explore the reworking of myth and fairytale in ...

Author: Helena Bassil-Morozow

Publisher: Routledge

ISBN: 9781317723295

Category:

Page: 216

View: 552

Tim Burton’s films are well known for being complex and emotionally powerful. In this book, Helena Bassil-Morozow employs Jungian and post-Jungian concepts of unconscious mental processes along with film semiotics, analysis of narrative devices and cinematic history, to explore the reworking of myth and fairytale in Burton’s gothic fantasy world. The book explores the idea that Burton’s lonely, rebellious ‘monstrous’ protagonists roam the earth because they are unable to fit into the normalising tendencies of society and become part of ‘the crowd’. Divided into six chapters the book considers the concept of the archetype in various settings focusing on: the child the monster the superhero the genius the maniac the monstrous society. Tim Burton: The Monster and the Crowd offers an entirely fresh perspective on Tim Burton’s works. The book is essential reading for students and scholars of film or Jungian psychology, as well as anyone interested in critical issues in contemporary culture. It will also be of great help to those fans of Tim Burton who have been searching for a profound academic analysis of his works.

Tim BurtonTim Burton



This book employs Jungian and post-Jungian concepts of unconscious mental processes along with film semiotics, analysis of narrative devices and cinematic history; to explore the reworking of myth and fairytale in Burton's gothic fantasy ...

Author: Helena Victor Bassil-Morozow

Publisher:

ISBN: 0415489709

Category:

Page: 200

View: 824

"Tim Burton's films are well known for being complex and emotionally powerful. In this book, Helena Bassil-Morozow employs Jungian and post-Jungian concepts of unconscious mental processes a long with file semiotics, analysis of narrative devices and cinematic history to explore the reworking of myth and fairy tale in Burton's gothic fantasy world." "Tim Burton: The Monster and the Crowd offers an entirely fresh perspective on Tim Burton's works. The book is essential reading for students and scholars of film or Jungian psychology, as well as anyone interested in critical issues in contemporary culture. It will also be of great help to those fans of Tim Burton who have been searching for a profound academic analysis of his works." --Book Jacket.

A Critical Companion to Tim BurtonA Critical Companion to Tim Burton



Helena Bassil-Morozow, Tim Burton: The Monster and the Crowd; A Post-Jungian Perspective (New York: Routledge, 2010), 71. 54. Tillich, Theology of Culture, 9. 55. Charles Taylor, A Secular Age (Cambridge: Harvard University Press, ...

Author: Adam Barkman

Publisher: Lexington Books

ISBN: 9781498552738

Category:

Page: 278

View: 536

Unlike anything currently available, A Critical Companion to Tim Burton is a comprehensive, up-to-date analysis of all the works of one of the world's most renowned directors and artists. Written by some of the top scholars working in fields as diverse as philosophy, film and media studies, and literature, all chapters of this book illuminate for both scholars and fans alike the entire artistic career of Burton, giving attention to both his early works and his global blockbusters.

The Works of Tim BurtonThe Works of Tim Burton



TimBurton: The Monster and the Crowd. London: Routledge, 2010. Benton, Mike.Illustrated HistoryofHorror Comics. Dallas: Taylor, 1991. Brooker, Will. Batman Unmasked: Analyzing a Cultural Icon. New York: Continuum, 2000. Burton, Tim.

Author: J. Weinstock

Publisher: Springer

ISBN: 9781137370839

Category:

Page: 261

View: 797

Tim Burton has had a massive impact on twentieth and twenty-first century culture through his films, art, and writings. This book examines how his aesthetics, influences, and themes reflect the shifting social expectations in American culture by tracing his Burton's move from a peripheral figure in the 1980s to the center of Hollywood filmmaking.

Tim BurtonTim Burton



Burton reflects, “Sometimes people say, 'Are you going to do a real film with real people? ... Helena Bassil-Morozow, Tim Burton: The Monster in the Crowd, A Post-Jungian Perspective. (London: Routledge, 2010), 131.

Author: Johnson Cheu

Publisher: McFarland

ISBN: 9781476623917

Category:

Page: 256

View: 738

Since his early days at Disney, Tim Burton has shown a unique talent and vision. His writing and directing credits range from big-budget features such as Batman (1989) and Batman Returns (1992), to the comically grisly The Nightmare Before Christmas (1993) and Corpse Bride (2005), to the twisted fairy tale Edward Scissorhands (1990), to literary adaptations like Big Fish (2003), Charlie and the Chocolate Factory (2005) and Sweeney Todd (2007). Though his name has become synonymous with the macabre and the odd, Burton’s films often reveal and champion the flawed human in us all. This collection of new essays brings together scholarship on many of his popular films, adaptations, and innovations in stop-motion animation and his collaborative relationship with actor Johnny Depp, providing an in-depth exploration of one of the most prominent figures on the pop culture landscape in recent decades.

Monsters of Film Fiction and FableMonsters of Film Fiction and Fable



Tim Burton: The Monster and the Crowd: A Post-Jungian Perspective. London: Routledge. Beetlejuice. 1988. Directed by Tim Burton. Culver City, CA: Geffen Company, Film. Bellin, Joshua David. 2005. Framing Monsters: Fantasy Film and ...

Author: Lisa Wenger Bro

Publisher: Cambridge Scholars Publishing

ISBN: 9781527514836

Category:

Page: 412

View: 136

Monsters are a part of every society, and ours is no exception. They are deeply embedded in our history, our mythos, and our culture. However, treating them as simply a facet of children’s stories or escapist entertainment belittles their importance. When examined closely, we see that monsters have always represented the things we fear: that which is different, which we can’t understand, which is dangerous, which is Other. But in many ways, monsters also represent our growing awareness of ourselves and our changing place in a continually shrinking world. Contemporary portrayals of the monstrous often have less to do with what we fear in others than with what we fear about ourselves, what we fear we might be capable of. The nineteen essays in this volume explore the place and function of the monstrous in a variety of media – stories and novels like Baum’s Oz books or Gibson’s Neuromancer; television series and feature films like The Walking Dead or Edward Scissorhands; and myths and legends like Beowulf and The Loch Ness Monster – in order to provide a closer understanding of not just who we are and who we have been, but also who we believe we can be – for better or worse.

How to Analyze the Films of Tim BurtonHow to Analyze the Films of Tim Burton



Tim Burton: The Monster and the Crowd: A Post-Jungian Perspective. New York: Routledge, 2010. Print. Gallo, Leah. The Art of Tim Burton. Los Angeles: Steeles, 2009. Print. McMahan, Alison. The Films of Tim Burton: Animating Live Action ...

Author: Sun Hee Teresa Lee

Publisher: ABDO Publishing Company

ISBN: 9781617878343

Category:

Page: 112

View: 628

This title explores the creative works of famous director Tim Burton. Films analyzed include Batman, Edward Scissorhands, Sweeney Todd, and Alice in Wonderland. Clear, comprehensive text gives background biographical information of Burton. ñYou Critique Itî feature invites readers to analyze other creative works on their own. A table of contents, timeline, list of works, resources, source notes, glossary, and an index are also included. Essential Critiques is a series in Essential Library, an imprint of ABDO Publishing Company.

The Philosophy of Tim BurtonThe Philosophy of Tim Burton



Helena Bassil-Morozow, Tim Burton: The Monster and the Crowd (New York: Routledge, 2010). 17. R. D. Laing, The Divided Self (New York: Penguin Books, 1965), 42. 18. J. R. Killinger, The Loneliness of Children (New York: Vanguard Press, ...

Author: Jennifer L. McMahon

Publisher: University Press of Kentucky

ISBN: 9780813144634

Category:

Page: 306

View: 632

Director and producer Tim Burton impresses audiences with stunning visuals, sinister fantasy worlds, and characters whose personalities are strange and yet familiar. Drawing inspiration from sources as varied as Lewis Carroll, Salvador Dalí, Washington Irving, and Dr. Seuss, Burton's creations frequently elicit both alarm and wonder. Whether crafting an offbeat animated feature, a box-office hit, a collection of short fiction, or an art exhibition, Burton pushes the envelope, and he has emerged as a powerful force in contemporary popular culture. In The Philosophy of Tim Burton, a distinguished group of scholars examines the philosophical underpinnings and significance of the director's oeuvre, investigating films such as Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), Sleepy Hollow (1999), Big Fish (2003), Sweeney Todd (2007), Alice in Wonderland (2010), and Dark Shadows (2012). The essays in this volume explore Burton's distinctive style, often disturbing content, and popular appeal through three thematic lenses: identity, views on authority, and aesthetic vision. Covering topics ranging from Burton's fascination with Victorian ideals, to his celebration of childhood, to his personal expression of the fantastic, the contributors highlight the filmmaker's peculiar narrative style and his use of unreal settings to prompt heightened awareness of the world we inhabit. The Philosophy of Tim Burton offers a penetrating and provocative look at one of Hollywood's most influential auteurs.

Jungian Film StudiesJungian Film Studies



Her publications include the monographs Tim Burton: The Monster and the Crowd (2010), The Trickster in Contemporary Film (2012) and The Trickster and the System: Identity and Agency in Contemporary Society (2014).

Author: Helena Bassil-Morozow

Publisher: Routledge

ISBN: 9781317222392

Category:

Page: 200

View: 408

Jungian film studies is a fast-growing academic field, but Jungian and post-Jungian concepts are still new to many academics and film critics. Helena Bassil-Morozow and Luke Hockley present Jungian Film Studies: The Essential Guide, the first book to bring together all the different strands, issues and arguments in the discipline, and guide the reader through the various ways in which Jungian psychology can be applied to moving images. Bassil-Morozow and Hockley cover a range of Jungian concepts including the collective unconscious, archetypes, the individuation process, alchemy, and signs and symbols, showing how they can be used to discuss the core cinematic issues such as narrative structure, gender, identity, genre, authorship, and phenomenology. The authors argue that, as a place where the unconscious and conscious meet, cinema offers the potential for imagery that is psychologically potent, meaningful, and that plays a role in our personal psychological development. This much-needed book, which bridges the space between Jungian concepts and traditional film theory, will be essential reading for scholars and students of Analytical Psychology, psychoanalysis, Jungian film studies, media, film and cultural studies, psychosocial psychology and clinical psychology. It will also appeal to analytical psychologists, psychotherapists and readers with an interest in film analysis.

FantasyFantasy



Bassil-Morozow, H. (2010) Tim Burton: The Monster and the Crowd: A Post-Jungian Perspective, London: Routledge. Bazin, A. (2004 [1967]) What is Cinema? Vol. 1, trans. H. Gray, Berkeley: University of California Press.

Author: Jacqueline Furby

Publisher: Routledge

ISBN: 9781136640742

Category:

Page: 200

View: 732

Fantasy addresses a previously neglected area within film studies. The book looks at the key aesthetics, themes, debates and issues at work within this popular genre and examines films and franchises that illustrate these concerns. Contemporary case studies include: Alice in Wonderland (2010) Avatar (2009) The Dark Knight (2008) Edward Scissorhands (1990) Lord of the Rings (2001-2003) Pirates of the Caribbean (2003-2007) Prince of Persia: The Sands of Time (2010) Shrek (2001) Twelve Monkeys (1995) The authors also consider fantasy film and its relationship to myth, legend and fairy tale, examining its important role in contemporary culture. The book provides an historical overview of the genre, its influences and evolution, placing fantasy film within the socio-cultural contexts of production and consumption and with reference to relevant theory and critical debates. This is the perfect introduction to the world of fantasy film and investigates the links between fantasy film and gender, fantasy film and race, fantasy film and psychoanalysis, fantasy film and technology, fantasy film storytelling and spectacle, fantasy film and realism, fantasy film and adaptation, and fantasy film and time.

The American Father OnscreenThe American Father Onscreen



Bassil-Morozow, H. (2010) Tim Burton: the Monster and the Crowd, a Post-Jungian Perspective. London: Routledge. Bassil-Morozow, H. (2011) The Trickster in Contemporary Film. London: Routledge. Bassil-Morozow, H. (2014) Tim Burton at 50: ...

Author: Toby Reynolds

Publisher: Routledge

ISBN: 9780429576423

Category:

Page: 186

View: 131

The American father is constantly depicted by contemporary Hollywood as being under pressure and forever struggling, but why? By utilising an analytical psychological approach, this fascinating book reveals the depths, complexities and nuances of the depictions of the American father and his struggles with contemporary contextual challenges and offers a fresh and intellectually exciting set of perspectives and interpretations of this key masculine figure and his effect on cinematic masculinities. Using a post-Jungian methodology and close textual analysis, the book seeks to explore the presence and impact of the American filmic father, and the effect his Shadow has on himself, his children and US society. It does this by examining the concept of ‘father hunger’, a term popularised by the mytho-poetic men’s movement that holds fathers to be an essential link to the masculine continuum and masculinity in general. Analysing the role that Hollywood plays in depicting fathers and their relationships with their children and American society, The American Father Onscreen concludes that Hollywood presents the American paternal as crucial to the construction of US society and, consequently, American cultural myths, such as the American Dream. Providing an alternative perspective into the fascinating, complex, and under-researched figure of the American father, this book will be of great interest to academics and students of film, gender studies, American studies, and post-Jungian psychology.

The Trickster and the SystemThe Trickster and the System



The book is about being able to see things from an unusual, even ‘odd’, perspective, which does not coincide with the homogenous normality of the mass, or the social system, or a political ideology, or some other kind of authority.

Author: Helena Bassil-Morozow

Publisher: Routledge

ISBN: 9781317635178

Category:

Page: 208

View: 670

For centuries, the trickster has been used in various narratives, including mythological, literary and cinematic, to convey the idea of agency, rebellion and, often turbulent, progress. In The Trickster and the System: Identity and Agency in Contemporary Society, Helena Bassil-Morozow shows how the trickster can be seen as a metaphor to describe the psycho-anthropological concept of change, an impulse that challenges the existing order of things, a progressive force that is a-structural and anti-structural in its nature. The book is about being able to see things from an unusual, even ‘odd’, perspective, which does not coincide with the homogenous normality of the mass, or the social system, or a political ideology, or some other kind of authority. The Trickster and the System offers an analytical paradigm which can be used to examine relationships between tricksters and systems, change and stability, in a wide range of social, political and cultural contexts. It covers a range of systems, describes different types of tricksters and discusses possible conflicts, tensions and dialogues between the two opposing sides. One of the central ideas of the book is that social systems use shame as a tool to control and manage all kinds of tricksters – individuality, agency, creativity, spontaneity, innovation and initiative, to name but a few. The author argues that any society that neglects its tricksters (agents of change), ends up suffering from decay, stagnation – or even mass hysterical outbursts. The Trickster and the System: Identity and Agency in Contemporary Society provides a fresh perspective on the trickster figure in a variety of cultural contexts. It covers a range of psychological, cultural, social and political phenomena, from personal issues to the highest level of society’s functioning: self-esteem and shame, lifestyle and relationships, creativity and self-expression, media, advertising, economy, political ideology and, most importantly, human identity and authenticity. The book is essential reading for scholars in the areas of psychoanalysis, analytical psychology, myth, cultural and media studies, narrative analysis, cultural anthropology, as well as anyone interested in critical issues in contemporary culture. Helena Bassil-Morozow is a cultural philosopher, film scholar and academic writer whose many publications include Tim Burton: The Monster and the Crowd (Routledge, 2010) and The Trickster in Contemporary Film (Routledge, 2011). Helena is currently working on another Routledge project, Jungian Film Studies: the Essential Guide (co-authored with Luke Hockley). Her principal academic affiliation is the University of Bedfordshire, Faculty of Creative Arts, Technologies & Science.

The Routledge International Handbook of Jungian Film StudiesThe Routledge International Handbook of Jungian Film Studies



... Tim Burton: the monster and the crowd. London and New York: Routledge. Bassil-Morozow, H. (2011) The trickster in contemporary film. Hove: Routledge. Bateman, J. A. (2014) Text and image: a critical introduction to the visual/verbal ...

Author: Luke Hockley

Publisher: Routledge

ISBN: 9781317213116

Category:

Page: 472

View: 136

The Routledge International Handbook of Jungian Film Studies weaves together the various strands of Jungian film theory, revealing a coherent theoretical position underpinning this exciting recent area of research, while also exploring and suggesting new directions for further study. The book maps the current state of debates within Jungian orientated film studies and sets them within a more expansive academic landscape. Taken as a whole, the collection shows how different Jungian approaches can inform and interact with a broad range of disciplines, including literature, digital media studies, clinical debates and concerns. The book also explores the life of film outside cinema - what is sometimes termed ‘post-cinema’ - offering a series of articles exploring Jungian approaches to cinema and social media, computer games, mobile screens, and on-line communities. The Routledge International Handbook of Jungian Film Studies represents an essential resource for students and researchers interested in Jungian approaches to film. It will also appeal to those interested in film theory more widely, and in the application of Jung’s ideas to contemporary and popular culture.

Analytical Psychology in a Changing World The search for self identity and communityAnalytical Psychology in a Changing World The search for self identity and community



She edits the film section of Spring: the Journal of Archetype and Culture. Helena's books include Tim Burton: the Monster and the Crowd (Routledge, 2010) and The Trickster in Contemporary Film (Routledge, 2011). Terence Dawson, Ph.D., ...

Author: Lucy Huskinson

Publisher: Routledge

ISBN: 9781317628576

Category:

Page: 234

View: 563

How can we make sense of ourselves within a world of change? In Analytical Psychology in a Changing World, an international range of contributors examine some of the common pitfalls, challenges and rewards that we encounter in our efforts to carve out identities of a personal or collective nature, and question the extent to which analytical psychology as a school of thought and therapeutic approach must also adapt to meet our changing needs. The contributors assess contemporary concerns about our sense of who we are and where we are going, some in light of recent social and natural disasters and changes to our social climates, others by revisiting existential concerns and philosophical responses to our human situation in order to assess their validity for today. How we use our urban environments and its structures to make sense of our pathologies and shortcomings; the relevance of images and the dynamic forms that underpin our experience of the world; how analytical psychology can effectively manage issues and problems of cultural, religious and existential identity – these broad themes, and others besides, are vividly illustrated by striking case-studies and unique personal insights that give real lucidity to the ideas and arguments presented. Analytical Psychology in a Changing World will be essential reading for Jungian and post-Jungian scholars and clinicians of depth psychology, as well as sociologists, philosophers and any reader with a critical interest in the important cultural ideas of our time.

Embodied EncountersEmbodied Encounters



Helena BassilMorozow, Ph.D., is a cultural philosopher, film scholar and academic writer whose many publications on film include the monographs Tim Burton: the Monster and the Crowd (Routledge, 2010) and The Trickster in Contemporary ...

Author: Agnieszka Piotrowska

Publisher: Routledge

ISBN: 9781317636489

Category:

Page: 236

View: 590

What is the role of the unconscious in our visceral approaches to cinema? Embodied Encounters offers a unique collection of essays written by leading thinkers and writers in film studies, with a guiding principle that embodied and material existence can, and perhaps ought to, also allow for the unconscious. The contributors embrace work which has brought ‘the body’ back into film theory and question why psychoanalysis has been excluded from more recent interrogations. The chapters included here engage with Jung and Freud, Lacan and Bion, and Klein and Winnicott in their interrogations of contemporary cinema and the moving image. In three parts the book presents examinations of both classic and contemporary films including Black Swan, Zero Dark Thirty and The Dybbuk: Part 1 – The Desire, the Body and the Unconscious Part 2 – Psychoanalytical Theories and the Cinema Part 3 – Reflections and Destructions, Mirrors and Transgressions Embodied Encounters is an eclectic volume which presents in one book the voices of those who work with different psychoanalytical paradigms. It will be essential reading for psychoanalysts and psychotherapists, scholars and students of film and culture studies and film makers.

The Trickster in Contemporary FilmThe Trickster in Contemporary Film



Currently she is an honorary research fellow of theResearch Institute for MediaArt and Design, University of Bedfordshire. Sheisthe author of Tim Burton: The Monster and the Crowd (Routledge, 2010). The Trickster in Contemporary Film ...

Author: Helena Bassil-Morozow

Publisher: Routledge

ISBN: 9781136625251

Category:

Page: 196

View: 210

This book discusses the role of the trickster figure in contemporary film against the cultural imperatives and social issues of modernity and postmodernity, and argues that cinematic tricksters always reflect psychological, economic and social change in society. It covers a range of films, from Charlie Chaplin’s classics such as Modern Times (1936) and The Great Dictator (1940) to contemporary comedies and dramas with ‘trickster actors’ such as Jim Carrey, Sacha Baron-Cohen, Andy Kaufman and Jack Nicholson. The Trickster in Contemporary Film offers a fresh perspective on the trickster figure not only in cinema but in Western culture in general. Alongside original film analyses, it touches upon a number of psychosocial issues including sovereignty of the individual, tricksterish qualities of the media, and human relationships in the mercurial digital age. Further topics of discussion include: common motifs in trickster narratives the trickster and personal relationships gonzo-trickster and the art of comic insurrection. Employing a number of complementary approaches such as Jungian psychology, film semiotics, narrative structure theories, Victor Turner’s concept of liminality and Mikhail Bakhtin’s theory of the carnivalesque, this book is essential reading for students and scholars of film, as well as anyone with an interest in analytical psychology and wider critical issues in contemporary culture.

Thresholds and Pathways Between Jung and LacanThresholds and Pathways Between Jung and Lacan



Her many publications include Tim Burton: The Monster and the Crowd (Routledge, 2010), The Trickster in Contemporary Film (Routledge, 2011), The Trickster and the System: Identity and Agency in Contemporary Society (Routledge, 2014), ...

Author: Ann Casement

Publisher: Routledge

ISBN: 9781000191462

Category:

Page: 290

View: 367

This groundbreaking book was seeded by the first-ever joint Jung–Lacan conference on the notion of the sublime held at Cambridge, England, against the backdrop of the 100th anniversary of the outbreak of the Great War. It provides a fascinating range of in-depth psychological perspectives on aspects of creativity and destruction inherent in the monstrous, awe-inspiring sublime. The chapters include some of the outcrop of academic and clinical papers given at this conference, with the addition of new contributions that explore similarities and differences between Jungian and Lacanian thinking on key topics such as language and linguistics, literature, religion, self and subject, science, mathematics and philosophy. The overall objective of this vitalizing volume is the development and dissemination of new ideas that will be of interest to practising psychoanalysts, psychotherapists and academics in the field, as well as to all those who are captivated by the still-revolutionary thinking of Jung and Lacan.

Reporting the Road to BrexitReporting the Road to Brexit



She is a cultural philosopher, media and film scholar, and academic writer, whose publications include: Tim Burton: The Monster and the Crowd (Routledge, 2010); The Trickster in Contemporary Film (Routledge, 2011); The Trickster and the ...

Author: Anthony Ridge-Newman

Publisher: Springer

ISBN: 9783319736822

Category:

Page: 363

View: 884

This edited collection brings together leading international scholars to explore the connection between Brexit and the media. The referendum and the activism on both sides of the campaign have been of significant interest to the media in the UK and around the world. How these factors have been represented in the media and the role of the media in constructing the referendum narrative are central to assisting the development in our understanding of how UK and global democracy is being manifested in contemporary times. This book explores these topics through presenting a wide range of perspectives from research conducted by leading international scholars, and concludes with an assessment of the potential democratic and international implications for the future. By grappling with a highly important and controversial topic in a comparative and varied way, the volume contributes to theoretical debates about the nature and role of the media in complex social, political and cultural contexts.

The Moral Uncanny in Black MirrorThe Moral Uncanny in Black Mirror



She is a cultural philosopher, media and film scholar, whose books include: Tim Burton: The Monster and the Crowd (2010), The Trickster and the System: Identity and Agency in Contemporary Society (2014), Jungian Film Studies: the ...

Author: Margaret Gibson

Publisher: Springer Nature

ISBN: 9783030474959

Category:

Page: 195

View: 260

This erudite volume examines the moral universe of the hit Netflix show Black Mirror. It brings together scholars in media studies, cultural studies, anthropology, literature, philosophy, psychology, theatre and game studies to analyse the significance and reverberations of Charlie Brooker's dystopian universe with our present-day technologically mediated life world. Brooker's ground-breaking Black Mirror anthology generates often disturbing and sometimes amusing future imaginaries of the dark side of ubiquitous screen life, as it unleashes the power of the uncanny. This book takes the psychoanalytic idea of the uncanny into a moral framework befitting Black Mirror's dystopian visions. The volume suggests that the Black Mirror anthology doesn't just make the viewer feel, on the surface, a strange recognition of closeness to some of its dystopian scenarios, but also makes us realise how very fragile, wavering, fractured, and uncertain is the human moral compass.

From Blofeld to MoneypennyFrom Blofeld to Moneypenny



Helena Bassil-Morozow is a Cultural Philosopher, Media and Film Scholar, and Academic Writer whose many publications include Tim Burton: The Monster and the Crowd (Routledge, 2010), The Trickster in Contemporary Film (Routledge, 2011), ...

Author: Steven Gerrard

Publisher: Emerald Group Publishing

ISBN: 9781838671662

Category:

Page: 264

View: 907

Since its inception, 007 has captured the hearts of a worldwide audience, and the franchise is now available over multiple media platforms, including movie, comic strips, games, graphic novels and fashion statements. This edited collection examines the role that gender has played across the platforms that the James Bond franchise now occupies.