Race and the Suburbs in American FilmRace and the Suburbs in American Film



Explores how suburban space and the body are racialized in American film. This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present.

Author: Merrill Schleier

Publisher: SUNY Press

ISBN: 9781438484488

Category:

Page: 272

View: 956

Explores how suburban space and the body are racialized in American film. This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Suburb films began as a cycle in response to both America's changing urban geography and the re-segregation of its domestic spaces in the postwar era, which excluded African Americans, Asian Americans, and Latinx from the suburbs while buttressing whiteness. By defying traditional categories and chronologies in cinema studies, the contributors explore the myriad ways suburban spaces and racialized bodies in film mediate each other. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations. Merrill Schleier is Professor Emeritus of Art and Architectural History and Film Studies at the University of the Pacific. They are the author of Skyscraper Cinema: Architecture and Gender in American Film.

Film and Domestic SpaceFilm and Domestic Space



She wrote an entry on Zambrano's film Solas for the Directory of World Cinema: Spain (2011), and her work on Krzysztof Kieślowski appeared in the ... Her edited anthology Race and the Suburbs in American Postwar Film is forthcoming.

Author: Stefano Baschiera

Publisher: Edinburgh University Press

ISBN: 9781474428941

Category:

Page: 256

View: 487

Drawing on a broad range of theoretical disciplines - and with case studies of directors such as Chantal Akerman, Agnès Varda, Claire Denis and Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Bêka and Louise Lemoine - this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif.

The Routledge Companion to Media and the CityThe Routledge Companion to Media and the City



She is the author of The Skyscraper in American Art, 1890–1931 (1990) and Skyscraper Cinema: Architecture and Gender in American Film (2009). Her most recent book is Race and the Suburbs in American Film (2021).

Author: Erica Stein

Publisher: Taylor & Francis

ISBN: 9781000606157

Category:

Page: 404

View: 748

Bringing together leading scholars from around the world and across scholarly disciplines, this collection of 32 original chapters provides a comprehensive exploration of the relationships between cities and media. The volume showcases diverse methods for studying media and the city and posits "media urbanism" as an approach to the co-construction and interactions among media texts and technologies, media users, media industries, media histories, and urban space. Chapters serve as a guide to humanities-based ways of studying urban imaginaries, infrastructures and architectures, development and redevelopment, and strategies and tactics as well as a provocation toward new lines of inquiry that further explore the dense interconnectedness of media and cities. Structured thematically, the chapters are organized into four distinct sections, introduced with editorial commentary that places the chapters into conversation with each other and frames them in relation to an overarching question, problem, or method. Part I: Imaginaries and cityscapes focuses on screen representations and mediated experiences of urban space produced and consumed by various actors; Part II: Architectures and infrastructures highlights the different ways in which built environments and socio-technical substrates that sustain differential mobilities, urban rhythms, and systems of circulation and exchange are intertwined with various forms of media and mediation; Part III: Development and redevelopment examines efforts by urban planners and designers, municipal governments, and community organizers to utilize media forms to imagine and shape the construction of the space and meaning of the city; finally, Part IV: Strategies and tactics uses categories for practices of control and resistance to investigate media and struggles for power within urban environments from surveillance and place-branding to activist media and the right to the city. The Routledge Companion to Media and the City provides a definitive reference for both scholars and students of urban cultures and media within the humanities.

Race in American Film Voices and Visions that Shaped a Nation 3 volumes Race in American Film Voices and Visions that Shaped a Nation 3 volumes



Most film noir takes place within large, multicultural cities, such as Los Angeles, New York, or San Francisco, though it is haunted by the suburbs and the rural, even if the film does not venture into these locations.

Author: Daniel Bernardi

Publisher: ABC-CLIO

ISBN: 9780313398407

Category:

Page: 1026

View: 106

This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. • Views the films via a historical approach in which every subject is considered both through a contemporary lens and in terms of the time of its production and initial reception • Provides up-to-date information on recent movies such as Selma (2014), The Fast and The Furious (2001–2015), 12 Years a Slave (2013), Django Unchained (2012), and Lone Survivor (2013) • Provides readers with the information and background necessary to form informed views about racial representation in film—still an important "hot-button" subject today • Edited by top scholars in the field, Daniel Bernardi and Michael Green, and contains entries by other important experts, such as Andrew Gordon and Priscilla Ovalle

Media CrossroadsMedia Crossroads



She is the author of Black City Cinema: African American Urban Experiences in Film (2003) and Making a Promised Land: Harlem ... She is currently editing the anthology Race and the Suburbs in American Postwar Cinema (forthcoming 2020).

Author: Paula J. Massood

Publisher: Duke University Press

ISBN: 9781478021308

Category:

Page: 350

View: 678

The contributors to Media Crossroads examine space and place in media as they intersect with sexuality, race, ethnicity, age, class, and ability. Considering a wide range of film, television, video games, and other media, the authors show how spaces—from the large and fantastical to the intimate and virtual—are shaped by the social interactions and intersections staged within them. The highly teachable essays include analyses of media representations of urban life and gentrification, the ways video games allow users to adopt an experiential understanding of space, the intersection of the regulation of bodies and spaces, and how style and aesthetics can influence intersectional thinking. Whether interrogating the construction of Portland as a white utopia in Portlandia or the link between queerness and the spatial design and gaming mechanics in the Legend of Zelda video game series, the contributors deepen understanding of screen cultures in ways that redefine conversations around space studies in film and media. Contributors. Amy Corbin, Desirée J. Garcia, Joshua Glick, Noelle Griffis, Malini Guha, Ina Rae Hark, Peter C. Kunze, Paula J. Massood, Angel Daniel Matos, Nicole Erin Morse, Elizabeth Patton, Matthew Thomas Payne, Merrill Schleier, Jacqueline Sheean, Sarah Louise Smyth, Erica Stein, Kirsten Moana Thompson, John Vanderhoef, Pamela Robertson Wojcik

Urban PoliticsUrban Politics



Sources: Robert Beuka, Suburbia Nation: Reading Suburban Landscape in TwentiethCentury American Fiction and Film (New York: Palgrave Macmillan, ... The suburbs of Washington, DC, and Atlanta are significantly stratified by race.

Author: Bernard H. Ross

Publisher: Routledge

ISBN: 9781317452744

Category:

Page: 356

View: 347

This popular text mixes the best classic theory and research on urban politics with the most recent developments in urban and metropolitan affairs. Its very balanced and realistic approach helps students to understand the nature of urban politics and the difficulty of finding effective solutions in a suburban and global age. The eighth edition provides a comprehensive review and analysis of urban policy under the Obama administration and brand new coverage of sustainable urban development. A new chapter on globalization and its impact on cities brings the history of urban development up to date, and a focus on the politics of local economic development underscores how questions of economic development have come to dominate the local arena. The eighth edition is significantly shorter than previous editions, and the entire text has been thoroughly rewritten to engage students. Boxed case studies of prominent recent and current urban development efforts provide material for class discussion, and concluding material demonstrates the tradeoff between more ideal and more pragmatic urban politics.

SuburbiaNationSuburbiaNation



Reading Suburban Landscape in Twentieth Century American Film and Fiction R. Beuka ... Race issues figure prominently in the cultural dynamics of suburbia; for this reason, to gauge matters of race in the suburban context, ...

Author: R. Beuka

Publisher: Springer

ISBN: 9781349732104

Category:

Page: 284

View: 519

The expansion of the suburban environment is a fascinating cultural development. In fact, the United States is primarily a suburban nation, with far more Americans living in the suburbs that in either urban or rural areas. Why were suburbs created to begin with? How do we define them? Are they really the promised land of the American middle class? The concept of space and how we create it is a concept that is receiving a great deal of academic attention, but no one has looked carefully at the suburban landscape through the lens of fiction and of film.

Hip Hop on FilmHip Hop on Film



Youth-oriented cinema from this decade reproduced a racial schism that identified white middle-class life with small-town suburban settings and black familial structures with an urban lower-class milieu. Of course, many black American ...

Author: Kimberly Monteyne

Publisher: Univ. Press of Mississippi

ISBN: 9781617039225

Category:

Page: 277

View: 725

A reclamation and interpretation of a once-dismissed aspect of American film history

Liquid MetalLiquid Metal



Writing in the early 1950s, a time when American movie audiences reveled in the spectacular images of alien invasions, ... neighborhoods, 'chocolate cities' and 'vanilla suburbs' became the spatial and racial paradigm of American life ...

Author: Sean Redmond

Publisher: Columbia University Press

ISBN: 9780231501842

Category:

Page: 360

View: 609

Liquid Metal brings together 'seminal' essays that have opened up the study of science fiction to serious critical interrogation. Eight distinct sections cover such topics as the cyborg in science fiction; the science fiction city; time travel and the primal scene; science fiction fandom; and the 1950s invasion narratives. Important writings by Susan Sontag, Vivian Sobchack, Steve Neale, J.P. Telotte, Peter Biskind and Constance Penley are included.

Culturcide and Non Identity across American CultureCulturcide and Non Identity across American Culture



Cameron McCarthy et al. comment on how “gangsta” films of the early 1990s, such as John Singleton's critically ... of inner-city blackness (“Race, Suburban Resentment, and the Representation of the Inner City in Contemporary Film and ...

Author: Daniel S. Traber

Publisher: Lexington Books

ISBN: 9781498554787

Category:

Page: 275

View: 922

This book is an examination of theories and practices of non-identity in American culture, one interested in seeing identity as varied, diffuse and distorted through subjects ranging from hip hop parodies to punk preppies to pachuco-ska; thus, the work itself crosses the lines of genre, medium and discipline.