Maximum RocknrollMaximum Rocknroll



MAXIMUMROCKNROLL TOP 10 I For what it ' s worth not much ) , here ' s some
of the MAR crew ' s current Top 10 ( or so . . . ) lists of stuft we reviewed this month
. SUBSCRIPTIONS : ( postpaid prices ) •US Rate : S4 each . 6 issue sub for ...

Author:

Publisher:

ISBN: UOM:39015073795000

Category:

Page:

View: 780

SPINSPIN



MAXIMUM ROCKNRO maximum rocknroll MAXIMUM ROCKNROLL I - maximum rojnroll maximum rocknroll maximum rocknroll — f* ^^^ ^H maximum rocknroll ^MB*;- / __ ...

Author:

Publisher:

ISBN:

Category:

Page: 140

View: 535

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

America Under ConstructionAmerica Under Construction



The best examples are the article on Quincy by Tim Tonooka, "Guns Don't Kill People, Songs Do" (in Maximum Rocknroll No. 4, Jan-Feb '83, n.p.) and the ...

Author: Kristi S. Long

Publisher: Routledge

ISBN: 9781315511870

Category:

Page: 206

View: 166

A variety of theoretical approaches to the study of culture have emphasised the significance of the creation, maintenance, and the transgression of boundaries to identities – be they social, cultural, national or personal. The essays collected in this book, first published in 1997, explore the creation of identities in American culture through analysis of the boundaries within and across which American identity is negotiated. The dissemination of cultural identity and the creation of national identity through this process has had a crucial impact on the shape of social life in post-war American culture. The contributors to this volume offer a variety of perspectives on this richly complicated process.

Routledge Library Editions Cultural StudiesRoutledge Library Editions Cultural Studies



Maximum Rocknroll continues to be an almost constant topic of debate , as does the question of the meaning of punk and / or hardcore .

Author: Various Authors

Publisher: Routledge

ISBN: 9781315459967

Category:

Page: 6142

View: 833

This seven volume set reissues a collection of out-of-print titles covering a range of responses to modern culture. They include in-depth analyses of US and Australian popular culture, works on the media and television, macrosociology, and the media and ‘otherness’. Taken together, they provide stimulating and thought-provoking debate on a wide range of topics central to many of today’s cultural controversies.

The Ballerina and the BullThe Ballerina and the Bull



Maximum Rocknroll was passionately committed to the ethos of autonomy and would only carry ads and review records from independent labels.

Author: Johanna Isaacson

Publisher: Duncan Baird Publishers

ISBN: 9781910924112

Category:

Page: 176

View: 411

Our moment has seen the resurgence of an anarchist sensibility, from the uprisings in Seattle in 1999 to the Occupy movement of 2011. Against the vacuity and drift of financialized capitalism, proclaiming "There is no Alternative," these insurgent movements have insisted that an alternative is possible. In The Ballerina and the Bull Johanna Isaacson explores the occult history of US punk, hardcore, queercore, and riot grrrl, DIY culture, and alternative subcultures to trace a new politics of "expressive negation" that both contests the present order and gives us a sense of the impasses of politics in an age of depoliticization. "Expressive negation" registers the contradictory politics at the heart of these projects: the desire for negation that must be positively expressed. Drawing on first-hand experience, interviews, and discussion of the ludic, spatial, and sexual politics of anarchist subcultures, Isaacson maps an underground utopian politics of style and develops a radically new history of the present moment.

Gimme Something BetterGimme Something Better



... “Part Two: S.F. Skins Respond,” interview conducted by Tim Yohannan, Maximum RocknRoll 18, October 1984, used with permission from Maximum RocknRoll.

Author: Jack Boulware

Publisher: Penguin

ISBN: 9781101145005

Category:

Page: 512

View: 179

An oral history of the modern punk-revival?s West Coast Birthplace Outside of New York and London, California?s Bay Area claims the oldest continuous punk-rock scene in the world. Gimme Something Better brings this outrageous and influential punk scene to life, from the notorious final performance of the Sex Pistols, to Jello Biafra?s bid for mayor, the rise of Maximum RocknRoll magazine, and the East Bay pop-punk sound that sold millions around the globe. Throngs of punks, including members of the Dead Kennedys, Avengers, Flipper, MDC, Green Day, Rancid, NOFX, and AFI, tell their own stories in this definitive account, from the innovative art-damage of San Francisco?s Fab Mab in North Beach, to the still vibrant all-ages DIY ethos of Berkeley?s Gilman Street. Compiled by longtime Bay Area journalists Jack Boulware and Silke Tudor, Gimme Something Better chronicles more than two decades of punk music, progressive politics, social consciousness, and divine decadence, told by the people who made it happen.

The Politics of PunkThe Politics of Punk



Maximum Rocknroll 29 (October 1985). ———. Column. Maximum Rocknroll 48 (May 1987). “Wendy O. Williams on Donahue 1990.” YouTube. 1990.

Author: David A. Ensminger

Publisher: Rowman & Littlefield

ISBN: 9781442254459

Category:

Page: 260

View: 253

The Politics of Punk probes the conscience of punk music by going beyond the lyrics and slogans of the pithy culture war. Creating a people’s history of punk's social, aesthetic, and political features, the book features original interviews with members of Dead Kennedys, Dead Boys, MDC, and many more.

Punk Record Labels and the Struggle for AutonomyPunk Record Labels and the Struggle for Autonomy



Maximumrocknroll no. 46, March 1987, 1 page. MRR. Documents relating to Screeching Weasel and Lookout Records. Maximum, rocknroll no.

Author: Alan O'Connor

Publisher: Lexington Books

ISBN: 9781461634089

Category:

Page: 158

View: 657

This book describes the emergence of DIY punk record labels in the early 1980s. Based on interviews with sixty-one labels, including four in Spain and four in Canada, it describes the social background of those who run these labels. Especially interesting are those operated by dropouts from the middle class. Other respected older labels are often run by people with upper middle-class backgrounds. A third group of labels are operated by working-class and lower middle-class punks who take a serious attitude to the work. Using the ideas of French sociologist Pierre Bourdieu, this book shows how the field of record labels operates. The choice of independent or corporate distribution is a major dilemma. Other tensions are about signing contracts with bands, expecting extensive touring, and using professional promotion. There are often rivalries between big and small labels over bands that have become popular and have to decide whether to move to a more commercial record label. Unlike approaches to punk that consider it as subcultural style, this book breaks new ground by describing punk as a social activity. One of the surprising findings is how many parents actually support their children's participation in the scene. Rather than attempting to define punk as resistance or as commercial culture, this book shows the dilemmas that actual punks struggle with as they attempt to live up to what the scene means for them.

American Hardcore Second Edition American Hardcore Second Edition



A lot had to do with the scene that guys like [Maximum RockNRoll's] Tim Yohannon came out of. They see Nazis coming out of the woodwork, when there are none ...

Author: Steven Blush

Publisher: Feral House

ISBN: 9781932595987

Category:

Page: 408

View: 117

"American Hardcore sets the record straight about the last great American subculture"—Paper magazine Steven Blush's "definitive treatment of Hardcore Punk" (Los Angeles Times) changed the way we look at Punk Rock. The Sony Picture Classics–distributed documentary American Hardcore premiered at the 2006 Sundance Film Festival. This revised and expanded second edition contains hundreds of new bands, thirty new interviews, flyers, a new chapter ("Destroy Babylon"), and a new art gallery with over 125 rare photos and images.

PunksPunks



Maximum Rocknroll—This San Francisco Bay area fanzine began its life as a spinoff of the popular Maximum Rocknroll rock radio show.

Author: Sharon M. Hannon

Publisher: ABC-CLIO

ISBN: 9780313364563

Category:

Page: 181

View: 477

This history of the punk movement in the United States shows how punk music, fashion, art, and attitude clashed with and ultimately influenced mainstream culture. * Includes new interviews with Ian MacKaye and Jeff Nelson, founders of Dischord Records and the punk band Minor Threat, plus reprints of interviews with singers Jello Biafra and Kathleen Hanna, two well-known punks who spoke out frequently about politics and gender issues * Offers an annotated bibliography, including a variety of entries that are both scholarly and popular, grouped by format

SPINSPIN



Meanwhile, the June 1994 issue of the Bay Area 'zine Maximum RockNRoll came out with a cover showing a man putting a gun in his mouth.

Author:

Publisher:

ISBN:

Category:

Page: 160

View: 389

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Crate DiggerCrate Digger



LP BOOTLEG 2000 Tim Yohannan, also known as Tim Yo, was one of the founders of Maximum Rocknroll magazine. Tim and a few other people started Maximum ...

Author: Bob Suren

Publisher: Microcosm Publishing

ISBN: 9781621061946

Category:

Page: 192

View: 248

A small town Florida teenager discovers punk rock through a loaned mix tape and punk music and culture slowly takes over all aspects of his life. His new passion causes him to form a band, track down out-of-print records that he loves and begin to reissue them, open a record store, begin a record distribution operation as a public service, mentor a host of young musicians, and befriend all manner of punk luminaries along the way. Slowly, his life’s pursuit pushes him to the point of personal ruination and ultimately redemption.

Cohesion and DissolutionCohesion and Dissolution



Particularly the US-American fanzine Maximum RocknRoll, which managed to develop an almost worldwide distribution, was a central medium to connect punks ...

Author: Ingo Rohrer

Publisher: Springer Science & Business Media

ISBN: 9783658043605

Category:

Page: 366

View: 318

The apocryphal story of punk and hardcore is narrated as a history of young rebels united by shared interests, values and a sense of equality. Through the example of the scene of Buenos Aires, Ingo Rohrer demonstrates that this unity is fragile and requires different practices of maintenance to ensure the cohesive continuity of the community. Friendship is the focus of these efforts, but at the same time it is also a point of vulnerability where the group’s dissolution and disappointment about the scene germinates. Ingo Rohrer examines how a local scene’s quest for cohesion is concurrent with tensions and contradictions. Beyond the attention put on the friendship in the local scene, the author asks what role friendships play in the local life world of neighborhoods and in the globalized punk and hardcore scene. Based on rich empirical data, the author suggests new perspectives on group processes and local/transnational relations with relevance far beyond the realm of these vibrant music scenes.

33 Revolutions Per Minute33 Revolutions Per Minute



Published in 1982, the inaugural cover of his Maximum Rocknroll magazine trumpeted the issue's contents: a list of bands (including Minor Threat) 'and, ...

Author: Dorian Lynskey

Publisher: Faber & Faber

ISBN: 9780571277209

Category:

Page: 864

View: 198

Why 33? Partly because that's the number of rotations performed by a vinyl album in one minute, and partly because it takes a lot of songs to tell a story which spans seven decades and five continents - to capture the colour and variety of this shape-shifting genre. This is not a list book, rather each of the 33 songs offers a way into a subject, an artist, an era or an idea. The book feels vital, in both senses of the word: necessary and alive. It captures some of the energy that is generated when musicians take risks, and even when they fail, those endeavours leave the popular culture a little richer and more challenging. Contrary to the frequently voiced idea that pop and politics are awkward bedfellows, it argues that protest music is pop, in all its blazing, cussed glory.

We Were Going to Change the WorldWe Were Going to Change the World



Worked in L.A. as a photographer and writer for fanzines (including Flipside, Maximum Rocknroll, and We Got Power) and as a columnist for Maximum Rocknroll, ...

Author: Stacy Russo

Publisher: Santa Monica Press

ISBN: 9781595807953

Category:

Page: 312

View: 108

The punk rock scene of the 1970s and ’80s in Southern California is widely acknowledged as one of the most vibrant, creative periods in all of rock and roll history. And while many books have covered the artists who contributed to the music of that era, none have exclusively focused on the vitality and influence of the women who played such a crucial role in this incredibly dynamic and instrumental movement. We Were Going to Change the World captures the stories of women who were active in the SoCal punk rock scene during this historic time, adding an important voice to its cultural and musical record. Through exclusive interviews with musicians, journalists, photographers, and fans, Stacy Russo has captured the essence of why these women were drawn to punk rock, what they witnessed, and how their involvement in this empowering scene ended up influencing the rest of their lives. From such hugely influential musicians and performers as Exene Cervenka, Alice Bag, Kira, Phranc, Johanna Went, Teresa Covarrubias, and Jennifer Precious Finch, to such highly regarded journalists, DJs, and photographers as Ann Summa, Jenny Lens, Kristine McKenna, Pleasant Gehman, and Stella, to the fans and scenesters who supported the bands and added so much color and energy to the scene, We Were Going to Change the World is an important oral history of the crucial contributions women injected into the Southern California punk rock scene of the 1970s and ’80s. Empowering, touching, and informative, Stacy Russo’s collection of interviews adds a whole new dimension to the literature of both punk rock and women’s studies.

Punk and RevolutionPunk and Revolution



Maximum RocknRoll, January 17. Electronic document. Accessed December 28, 2014. http://maximumrocknroll.com/whiteriotanotherfailure/. Nugent, Guillermo.

Author: Shane Greene

Publisher: Duke University Press

ISBN: 9780822373544

Category:

Page: 248

View: 763

In Punk and Revolution Shane Greene radically uproots punk from its iconic place in First World urban culture, Anglo popular music, and the Euro-American avant-garde, situating it instead as a crucial element in Peru's culture of subversive militancy and political violence. Inspired by José Carlos Mariátegui's Seven Interpretive Essays on Peruvian Reality, Greene explores punk's political aspirations and subcultural possibilities while complicating the dominant narratives of the war between the Shining Path and the Peruvian state. In these seven essays, Greene experiments with style and content, bends the ethnographic genre, and juxtaposes the textual and visual. He theorizes punk in Lima as a mode of aesthetic and material underproduction, rants at canonical cultural studies for its failure to acknowledge punk's potential for generating revolutionary politics, and uncovers the intersections of gender, ethnicity, class, and authenticity in the Lima punk scene. Following the theoretical interventions of Debord, Benjamin, and Bakhtin, Greene fundamentally redefines how we might think about the creative contours of punk subculture and the politics of anarchist praxis.

Audience Feedback in the News MediaAudience Feedback in the News Media



Maximum Rocknroll staff, “About,” maximumrocknroll.com. Accessed July 24, 2014, from http://maximumrocknroll.com/about/. Maximum Rocknroll staff, “About.

Author: Bill Reader

Publisher: Routledge

ISBN: 9781317682677

Category:

Page: 188

View: 232

As long as there has been news media, there has been audience feedback. This book provides the first definitive history of the evolution of audience feedback, from the early newsbooks of the 16th century to the rough-and-tumble online forums of the modern age. In addition to tracing the historical development of audience feedback, the book considers how news media has changed its approach to accommodating audience participation, and explores how audience feedback can serve the needs of both individuals and collectives in democratic society. Reader writes from a position of authority, having worked as a "letters to the editor" editor and has written numerous research articles and professional essays on the topic over the past 15 years.

Punk PedagogiesPunk Pedagogies



Reading lists for many of the classes included primary sources, such as the Berkeley, California–based fanzine Maximum Rocknroll, which encouraged punks ...

Author: Gareth Dylan Smith

Publisher: Routledge

ISBN: 9781351995801

Category:

Page: 236

View: 395

Punk Pedagogies: Music, Culture and Learning brings together a collection of international authors to explore the possibilities, practices and implications that emerge from the union of punk and pedagogy. The punk ethos—a notoriously evasive and multifaceted beast—offers unique applications in music education and beyond, and this volume presents a breadth of interdisciplinary perspectives to challenge current thinking on how, why and where the subculture influences teaching and learning. As (punk) educators and artists, contributing authors grapple with punk’s historicity, its pervasiveness, its (dis)functionality and its messiness, making Punk Pedagogies relevant and motivating to both instructors and students with proven pedagogical practices.