In Her Own ImageIn Her Own Image



She began to exhibit her own work upon her return to New York , and held her first one person show in 1944. Before and after her marriage to the renowned painter Max Ernst , in 1946 , Tanning also worked in stage and costume design ...

Author: Elaine Hedges

Publisher: Feminist Press at CUNY

ISBN: 0912670622

Category:

Page: 340

View: 473

An anthology of visual and literary works by and about women artists and authors.

Irish Women WritersIrish Women Writers



Although In Her Own Image (1980) and Night Feed (1982) are almost oppositional in style and tone, Boland wrote poems for both volumes simultaneously. Both stem from the same root: a thoroughly gendered poetic stance that stakes a claim ...

Author: Alexander G. Gonzalez

Publisher: Greenwood Publishing Group

ISBN: 9780313328831

Category:

Page: 348

View: 500

Surveys the lives and works of roughly 75 Irish women writers active in a range of genres and periods.

Performing ImagePerforming Image



41 She summarizes her subsequent work, Cinderella (1986), as “an interactive narrative game for girls ... modeled so that the linear storyline would intersect ... This display of a protagonist encountering her own image achieves ...

Author: Isobel Harbison

Publisher: MIT Press

ISBN: 9780262350808

Category:

Page: 256

View: 181

An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms. Harbison argues that while we produce images, images also produce us—those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices—and a declaration of the value of art in an economy of attention and a crisis of representation.

The Artist His Model Her Image His GazeThe Artist His Model Her Image His Gaze



Though the canvas and model merge to become one , the artist and his model ( or the artist and his creation ) still ... The mirroring process compounds itself as the model , engrossed in her own image , becomes herself a mirror image of ...

Author: Karen L. Kleinfelder

Publisher: University of Chicago Press

ISBN: 0226439836

Category:

Page: 294

View: 611

Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.

Jung and FilmJung and Film



The actors are not up there on the screen, their images are; and this translation of person into image is crucially ... of the anima in creating the close-up, but because the anima wrests control of her own image away from the director.

Author: Christopher Hauke

Publisher: Routledge

ISBN: 9781317711049

Category:

Page: 296

View: 116

Jung and Film brings together some of the best new writing from both sides of the Atlantic, introducing the use of Jungian ideas in film analyis. Illustrated with examinations of seminal films including Pulp Fiction, Blade Runner, and 2001 - A Space Odyssey, Chris Hauke and Ian Alister, along with an excellent array of contributors, look at how Jungian ideas can help us understand films and the genres to which they belong. The book also includes a glossary to help readers with Jungian terminology. Taking a fresh look at an ever-changing medium, Jung and Film is essential reading for academics and students of analytical psychology, as well as film, media and cultural studies.

Luce IrigarayLuce Irigaray



The image of Teresa's body as an empty sack emphasizes her failure to protect her own interiority: as all her breath leaves her body, nothing remains. Teresa has given her whole being to others, to her husband and daughter, and to her ...

Author: Luce Irigaray

Publisher: A&C Black

ISBN: 9781847060679

Category:

Page: 298

View: 996

Luce Irigaray is one of the world's most important and influential contemporary theorists and this book presents a collection of essays exploring the full range of her work from an international team of academics in many different fields.

Science as AutobiographyScience as Autobiography



One possible interpretation is that science diverted him from his thoughts,just as the late nineteenth-century French ... It was not so much that she conserved the life that existed,as that she created life in her own image.

Author: Thomas Soderqvist

Publisher: Yale University Press

ISBN: 9780300128710

Category:

Page: 387

View: 686

This biography probes the unusual mind, the dramatic life, and the outstanding scientific work of Danish-born immunologist Niels Jerne (1911–1994). Jerne’s Nobel Prize-winning achievements in the field of immunology place him in the pantheon of great twentieth-century biomedical theorists, yet his life is perhaps even more interesting than his science. Science as Autobiography tells Jerne’s story, weaving together a narrative of his life experiences, emotional life, and extraordinarily creative scientific work. A legendary figure who preferred an afternoon of conversation in a Paris wine bar to work in the laboratory, Jerne was renowned for his unparalleled powers of concentration and analytical keenness as well as his dissonant personal life. The book explores Jerne the man and scientist, making the fascinating argument that his life experience and view of himself became a metaphorical resource for the construction of his theories. The book also probes the moral issues that surrounded Jerne’s choice to sacrifice his family in favor of scientific goals and the pursuit of excellence.

The Philosophy of Mesmerism and Electrical Psychology Comprised in Two Courses of Lectures Edited by J BurnsThe Philosophy of Mesmerism and Electrical Psychology Comprised in Two Courses of Lectures Edited by J Burns



It would be as perfect a fac - simile of her own organism , form , and features as the second bank - plate was of the first ... powers of her involuntary nerves , through the positive forces , are forming the new being in her own image ...

Author: John Bovee Dods

Publisher:

ISBN: BL:A0022008392

Category:

Page: 216

View: 562