The History of Images and of Image worship Shewing the Original and Progress of Idolatry Among Pagans Jews and Christians with a Refutation of the Second Council of Nice and of Other Advocates for IdolatryThe History of Images and of Image worship Shewing the Original and Progress of Idolatry Among Pagans Jews and Christians with a Refutation of the Second Council of Nice and of Other Advocates for Idolatry



As to the Antiquity of Images , which they pre . tend were from the Beginning themselves cou'd Centing bring theni Age have ... The Civil and Historical Use of some Images is allow'd by all Protestants , but this makes nothing for the ...

Author: James OWEN (Minister of the Gospel in Shrewsbury.)

Publisher:

ISBN: BL:A0019854936

Category:

Page: 334

View: 232

Images Performing HistoryImages Performing History



is concept of posthistorical seems to encompass two contradictory phenomena: the abundance of history, on the one ... on the end of history, these discussions on the role of the photographic, lmic, and televised image require renewed ...

Author: Katarzyna Ruchel-Stockmans

Publisher: Leuven University Press

ISBN: 9789462700291

Category:

Page: 300

View: 587

The operative role of the photographic media in making and remaking history History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or re-enacting its past forms, while, on the other hand, they indicate how copying and quoting can contribute to creating a new, operative aesthetics. By foregrounding a performative character of images, art is shown to construct an alternative knowledge of the past. Among others the works of the following artists are discussed in this book: Zofia Kulik, Yael Bartana, Harun Farocki and Andrej Ujică, Luc Tuymans, Dierk Schmidt.

Images of HistoryImages of History



What is needed, then, in order to hold together a sense of human beings as deliberative agents, capable of reflection, on the one hand, and a sense of the standing force of forms of opposition, on the other, is an image of history as ...

Author: Richard Eldridge

Publisher: Oxford University Press

ISBN: 9780190847364

Category:

Page: 256

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Developing work in the theories of action and explanation, Eldridge argues that moral and political philosophers require accounts of what is historically possible, while historians require rough philosophical understandings of ideals that merit reasonable endorsement. Both Immanuel Kant and Walter Benjamin recognize this fact. Each sees a special place for religious consciousness and critical practice in the articulation and revision of ideals that are to have cultural effect, but they differ sharply in the forms of religious-philosophical understanding, cultural criticism, and political practice that they favor. Kant defends a liberal, reformist, Protestant stance, emphasizing the importance of liberty, individual rights, and democratic institutions. His fullest picture of movement toward a moral culture appears in Religion within the Bounds of Mere Reason, where he describes conjecturally the emergence of an ethical commonwealth. Benjamin defends a politics of improvisatory alertness and consciousness-raising that is suspicious of progress and liberal reform. He practices a form of modernist, materialist criticism that is strongly rooted in his encounters with Kant, H�lderlin, and Goethe. His fullest, finished picture of this critical practice appears in One-Way Street, where he traces the continuing force of unsatisfied desires. By drawing on both Kant and Benjamin, Eldridge hopes to avoid both moralism (standing on sharply specified normative commitments at all costs) and waywardness (rejecting all settled commitments). And in doing so, he seeks to make better sense of the commitment-forming, commitment-revising, anxious, reflective and sometimes grownup acculturated human subjects we are.

Enemy Images in American HistoryEnemy Images in American History



Under the heading “The Contents of History,” Gottfried Benn noted the following: In order to inform myself, ... of social heterostereotypes and autostereotypes and absolutely none that relate to the social history of enemy images.

Author: Ragnhild Fiebig-von Hase

Publisher: Berghahn Books

ISBN: 9781789203998

Category:

Page: 400

View: 190

Motion History Images for Action Recognition and UnderstandingMotion History Images for Action Recognition and Understanding



Abstract This chapter presents the Motion History Image (MHI) and the Motion Energy Image (MEI) templates, which have been in use by researchers for over a decade due to its simplicity and ease to implement with good performance.

Author: Md. Atiqur Rahman Ahad

Publisher: Springer Science & Business Media

ISBN: 9781447147305

Category:

Page: 116

View: 901

Human action analysis and recognition is a relatively mature field, yet one which is often not well understood by students and researchers. The large number of possible variations in human motion and appearance, camera viewpoint, and environment, present considerable challenges. Some important and common problems remain unsolved by the computer vision community. However, many valuable approaches have been proposed over the past decade, including the motion history image (MHI) method. This method has received significant attention, as it offers greater robustness and performance than other techniques. This work presents a comprehensive review of these state-of-the-art approaches and their applications, with a particular focus on the MHI method and its variants.

A History of Cultic Images in ChinaA History of Cultic Images in China



The latter's history—made up of repressions, gaps, and upheavals—is nevertheless far from linear. ... given the scarcity of any written or archaeological traces of their statues, despite their theological legitimation of images, ...

Author: Alain Arrault

Publisher: The Chinese University of Hong Kong Press

ISBN: 9789882371057

Category:

Page: 260

View: 629

In the past twenty years, work on the local culture of central Hunan has been one of the most exciting sources for rethinking the nature and variety of Chinese local society. At the heart of this society is a kind of statuary found nowhere else in China--sculpted images of local people, primarily religious specialists of a wide range, but also parents and ancestors who, according to Confucian orthodoxy, should be represented by tablets, not statues. While the consecration ceremonies of these statues include rites that are common to all China, they are embedded in unique local ritual traditions. Based on two decades of international collaborative research, Alain Arrault focuses on some 4,000 of these statues and studies them on the basis of consecration certificates inserted in the statues, the earliest of which date to the sixteenth century.

A Brief History of Image Science and Technology in ChinaA Brief History of Image Science and Technology in China



(3) Man's symbol in the world At the beginning of civilization, image culture was extremely simple. The most symbolic expression of people's image was “ritual (Li)” and “ritual (Yi)”. In the Xia, Shang, Zhou and Qin and Han Dynasties of ...

Author: Congyao Han

Publisher: Springer Nature

ISBN: 9789813369221

Category:

Page: 137

View: 330

This book, within the vision of the study on the image history, clearly manifests the development of Chinese image science and technology of over 2000 years based on compendium, while having briefly sorted out expositions by scientists since ancient times in China, demonstrates the spiritual course, ideas of thinking and forms of life and reveales profound humane ideas, basis of sentiments and styles of the spirit featured by Chinese image culture. The historic outline of images is clear-cut along with authenticated inter-attestation for clues of images and texts. Historic facts concerning images are ecologically diversified, while historic documents about images are properly chosen, in addition to the integration between liberal arts and science and perfect combination between images and texts. Blessed with nice integration between images and texts, this book serves as reference to experts, scholars, undergraduates and postgraduates related to the study on image history, history of science and technology, study of history and news communication.

Image History and MemoryImage History and Memory



Visual history situates pictures as an independent category of sources, capable of transmi ing meanings and ideological perspectives. Until recently, photography has been relatively overlooked in historical s olarship.

Author: Michał Haake

Publisher: Routledge

ISBN: 9781000541731

Category:

Page: 280

View: 584

This book discusses the active relationship among the mechanics of memory, visual practices, and historical narratives. Reflection on memory and its ties with historical narratives cannot be separated from reflection on the visual and the image as its points of reference which function in time. This volume addresses precisely that temporal aspect of the image, without reducing it to a neutral trace of the past, a mnemotechnical support of memory. As a commemorative device, the image fixes, structures, and crystalizes memory, turning the view of the past into myth. It may, however, also stimulate, transform, and update memory, functioning as a matrix of interpretation and understanding the past. The book questions whether the functioning of the visual matrices of memory can be related to a particular historical and geographical scope, that is, to Central and Eastern Europe, and whether it is possible to find their origin and decide if they are just local and regional or perhaps also Western European and universal. It focuses on the artistic reflection on time and history, in the reconstructions of memory due to change of frontiers and political regimes, as well as endeavours to impose some specific political structure on territories which were complex and mixed in terms of national identity, religion and social composition. The volume is ideal for students and scholars of memory studies, history and visual studies.

History as Image Image as HistoryHistory as Image Image as History



Then ask them to write an essay, using descriptions of each of these images, explaining what they think are the most important lessons of Vietnam. c. Pick one historical document and one work of art and look at them together.

Author: Dipti Desai

Publisher: Routledge

ISBN: 9781135203795

Category:

Page: 288

View: 208

History as Art, Art as History pioneers methods for using contemporary works of art in the social studies and art classroom to enhance an understanding of visual culture and history. The fully-illustrated interdisciplinary teaching toolkit provides an invaluable pedagogical resource—complete with theoretical background and practical suggestions for teaching U.S. history topics through close readings of both primary sources and provocative works of contemporary art. History as Art, Art as History is an experientially grounded, practically minded pedagogical investigation meant to push teachers and students to think critically without sacrificing their ability to succeed in a standards-driven educational climate. Amid the educational debate surrounding rigid, unimaginative tests, classroom scripts, and bureaucratic mandates, this innovative book insists on an alternate set of educational priorities that promotes engagement with creative and critical thinking. Features include: A thought-provoking series of framing essays and interviews with contemporary artists address the pivotal questions that arise when one attempts to think about history and contemporary visual art together. An 8-page, full color insert of contemporary art, plus over 50 black and white illustrations throughout. A Teaching Toolkit covering major themes in U.S. history provides an archive of suggested primary documents, plus discussion suggestions and activities for putting theory into practice. Teaching activities keyed to the social studies and art curricula and teaching standards Resources include annotated bibliographies for further study and lists of arts and media organizations. This sophisticated yet accessible textbook is a must-read resource for any teacher looking to draw upon visual and historical texts in their teaching and to develop innovative curriculum and meaningful student engagement.

The Image of Peter the Great in Russian History and ThoughtThe Image of Peter the Great in Russian History and Thought



Feofan Prokopovichi Images have lives of their own, sometimes over centuries and even millennia of human history. Remembrance and praise of the hero have functioned as a secular surrogate for immortality in many societies and ...

Author: Nicholas V. Riasanovsky

Publisher: Oxford University Press

ISBN: 9780195360615

Category:

Page:

View: 853