The Dutch Garden in the Seventeenth CenturyThe Dutch Garden in the Seventeenth Century



Notes on Plants Used in Dutch Gardens in the Second Half of the Seventeenth Century CARLA OLDENBURGER - EBBERS Thie The Republic of the Seven United Netherlands came into being in 1579 with the signing of the Union of Utrecht .

Author: John D. Hunt

Publisher: Dumbarton Oaks

ISBN: 0884021874

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Page: 232

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This wide-ranging collection of essays charts the history, scope, and spread of Dutch garden art during the seventeenth century. A group of scholars, mostly Dutch, surveys what has been called the "golden age" of Dutch garden design.

The Ashgate Research Companion to Dutch Art of the Seventeenth CenturyThe Ashgate Research Companion to Dutch Art of the Seventeenth Century



Nicolas Penny and Eike Schmidt (Washington DC: National Gallery of Art, 2003), 290–299; Frits Scholten, “The Larson Family of Statuary Founders: Seventeenth-Century Reproductive Sculpture for Gardens and Painters' Studios,” Simiolus 31 ...

Author: Wayne Franits

Publisher: Routledge

ISBN: 9781351546218

Category:

Page: 658

View: 375

Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.

Journey through Landscape in Seventeenth Century Holland The Haarlem Print Series and Dutch IdentityJourney through Landscape in Seventeenth Century Holland The Haarlem Print Series and Dutch Identity



In fact , the Dutch Garden theme that is central to Buytewech's series clearly articulates the interdependence between man and the land , rather than the peasantry or landscape as independent subjects . A subject similar to Buytewech's ...

Author:

Publisher: Penn State Press

ISBN: 0271044306

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Page: 314

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The sets of landscape etchings produced in the second decade of the seventeenth century by Claes Jansz. Visscher, Esaias van den Velde, Willem Buytewech, and Jan van de Velde drew on and contributed to a print culture that played a key role in defining "Dutch" landscape. Examination of these printed landscape series as part of a wide-ranging print culture underscores the consistent interrelationship of landscape, history, and politics. To varying degrees, the contemporaneous descriptive geographies, histories, allegorical tableaux, didactic prints, and poetic anthologies considered in this study provide parallels for the prints' serial structure, journey theme, and commemorative motifs. Moreover, as part of a wider enterprise of Dutch self-definition, they provide cultural guidelines for the interpretation of landscape in prints and paintings. Levesque's study of the Dutch seventeenth-century experience of place is two-tiered. She addresses the journey through landscape as an interpretive framework, the spatial structure of knowledge, the benefits of travel from the point of view of humanists, and the growth of a Dutch national self-consciousness expressed through landscape. She also provides a close reading of the structure and motifs in the print series of Claes Jansz. Visscher, Esaias van den Velde, Willem Buytewech, and Jan van de Velde.

Magnificence in the Seventeenth CenturyMagnificence in the Seventeenth Century



2 Fagel's Garden at Leeuwenhorst From 1676 onwards, Gaspar Fagel rented the Leeuwenhorst estate near ... For 17th-century gardens in the Netherlands, see Jong de J., Nature and Art. Dutch Garden and Landscape Architecture, ...

Author: Gijs Versteegen

Publisher: BRILL

ISBN: 9789004436800

Category:

Page: 398

View: 415

This volume explores the concept of magnificence as a social construction in seventeenth-century Europe.

Dutch Seventeenth century Genre PaintingDutch Seventeenth century Genre Painting



Theoretische Geschiedenis 17 (1990): ('997)- "The Space of Gender m Seventeenth-Century Dutch Painting." In Frames 1997b, pp. 1 v. ... Nature ami Art: Dutch Garden and Landscape Architecture, 1650-1740. Translated bv Ann Langenakens.

Author: Wayne E. Franits

Publisher: Yale University Press

ISBN: 9780300102376

Category:

Page: 342

View: 178

The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.

Tales of Gotham Historical Archaeology Ethnohistory and Microhistory of New York CityTales of Gotham Historical Archaeology Ethnohistory and Microhistory of New York City



Notes on plants used in Dutch gardens in the second half of the seventeenth century. In J. D. Hunt (Ed.), The Dutch garden in the seventeenth century (pp. 159—174). Washington, DC: Dunbarton Oaks Research Library and Collection.

Author: Meta F. Janowitz

Publisher: Springer Science & Business Media

ISBN: 9781461452720

Category:

Page: 369

View: 631

Historical Archaeology of New York City is a collection of narratives about people who lived in New York City during the seventeenth, eighteenth, and nineteenth centuries, people whose lives archaeologists have encountered during excavations at sites where these people lived or worked. The stories are ethnohistorical or microhistorical studies created using archaeological and documentary data. As microhistories, they are concerned with particular people living at particular times in the past within the framework of world events. The world events framework will be provided in short introductions to chapters grouped by time periods and themes. The foreword by Mary Beaudry and the afterword by LuAnne DeCunzo bookend the individual case studies and add theoretical weight to the volume. Historical Archaeology of New York City focuses on specific individual life stories, or stories of groups of people, as a way to present archaeological theory and research. Archaeologists work with material culture—artifacts—to recreate daily lives and study how culture works; this book is an example of how to do this in a way that can attract people interested in history as well as in anthropological theory.

Images of the TropicsImages of the Tropics



Jacques, David 'Who knows what a Dutch garden is?', Garden History 30-2:114–30. Jansen, Guido M.C. 1999 '“On the lowest level”; e status of still life in Netherlandish art literature of the seventeenth century', in: Alan Chong and ...

Author: Susie Protschky

Publisher: BRILL

ISBN: 9789004253605

Category:

Page: 184

View: 370

Images of the Tropics critically examines Dutch colonial culture in the Netherlands Indies through the prism of landscape art. Susie Protschky contends that visual representations of nature and landscape were core elements of how Europeans understood the tropics, justified their territorial claims in the region, and understood their place both in imperial Europe and in colonized Asia during the nineteenth and early twentieth centuries. Her book thus makes a significant contribution to studies of empire, art and environment, as well as to histories of Indonesia and Europe.

The World of William and MaryThe World of William and Mary



The Dutch Garden in the Seventeenth Century , Dumbarton Oaks Colloquium on the History of Landscape Architecture ( Washington , D.C. , 1990 ) . Stefan van Raaij and Paul Spies , The Royal Progresses of William and Mary ( Amsterdam ...

Author: Dale Hoak

Publisher: Stanford University Press

ISBN: 0804724067

Category:

Page: 380

View: 554

This volume contributes to the current reassessment of the "Glorious Revolution" by bringing together the work of leading American, British, and Dutch scholars who present a series of interpretive case studies on a wide variety of political, economic, religious, and cultural issues. What emerges from these fifteen essays is the conviction that in spite of differing angles of approach, the process of reinterpreting the Revolution requires a combined study of English and Dutch history within the context of European history. The long tradition of viewing the events of 1688-89 as a uniquely British affair, which gave birth to liberal England with its contingent political and religious liberties, is finally put to rest.

Baroque Garden CulturesBaroque Garden Cultures



The Dutch Garden in the English Imagination , ” in John Dixon Hunt , ed . , The Dutch Garden in the Seventeenth Century , Dumbarton Oaks Colloquium in the History of Landscape Architecture XII ( Washington , D.C .

Author: Michel Conan

Publisher: Dumbarton Oaks

ISBN: 0884023044

Category:

Page: 452

View: 614

Baroque Garden Cultures: Emulation, Sublimation, Subversion proposes a new approach to the study of baroque gardens, examining the social reception of gardens as a means to understand garden culture in general and exploring baroque gardens as a feature of baroque cultures in particular. In so doing, it negotiates a turning point in garden history. Jose Antonio Maravall determined that baroque culture grew out of the social and economic crises of the seventeenth and eighteenth centuries, precipitating the establishment of the state and its concomitant engines of repression and propaganda. This absolutist state deployed the arts as a political means to dazzle society into submission to the monarch. The varying degrees of state control allowed for diverse cultural and political reception of the arts to emerge and for the possibility of anti-baroque arts to develop alongside baroque ones. This possibility invites us to understand the conditions of artistic production as a preamble to aesthetic criticism and to position garden history within the framework of social history. Such an approach explores and explains the vexing differences in baroque art and landscape architecture in different countries and at different times from the end of the sixteenth century to the present. Although primarily associated with Europe, baroque culture developed elsewhere as well. Gardens played a prominent role in the development of the European baroque, with variations due to the different political systems and social structures in place between 1580 and 1770. These countries nevertheless entertained a dense network of cultural relationships and the reception of baroque gardens can thus be studied in an international context. This study of gardens ranging from western and northern Europe in the seventeenth and eighteenth centuries to as far away as twelfth-century China shows how the study of audience reception can renew our understanding of hte cultural role of gardens. Gardens have a life of their own and this book's various chapters ponder how they might have been formative of culture in a way that completely escaped the intentions of their creators and designers. This volume also studies the changing reception of gardens long after they were designed, including the reception of historical gardens by contemporary tourists and art critics. Baroque Garden Cultures demonstrates that while baroque garden politics encouraged emulation and led to various forms of sublimation of its attempts at cultural control, it could not ultimately escape clever means of subversion.

The Letterbooks of John EvelynThe Letterbooks of John Evelyn



Lord Arundel and His Circle. New Haven: Yale University Press, 1985. Hunt, John Dixon. “'But who does not know what a Dutch garden is?' The Dutch Garden in the English Imagination.” In The Dutch Garden in the Seventeenth Century, ed.

Author: Douglas D.C. Chambers

Publisher: University of Toronto Press

ISBN: 9781442647862

Category:

Page: 1303

View: 235

The Letterbooks of John Evelyn, a collection of more than eight hundred letters selected by Evelyn himself, constitutes an essential new resource for scholars of seventeenth-century England.