Dark CityDark City



A few years back, eminent philosopher Lewis Mumford came to Dark City. Bright guy, little full of himself—he was in town to lecture on his book The Culture of Cities. He climbed out of a cab in front of the downtown auditorium and gazed ...

Author: Eddie Muller

Publisher: Hachette UK

ISBN: 9780762498963

Category:

Page: 264

View: 100

This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark Cityexpands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.

Dark CityDark City



Back in the day, his father used to come into the city now and then to visit Uncle Stuin his threestory brownstone alittle ways downtown and toward Eighth Avenue. Sometimes he'd dragJack along.Dad would alwayscome away with samples ...

Author: F. Paul Wilson

Publisher: Macmillan

ISBN: 9781466834194

Category:

Page: 368

View: 924

Dark City is the second of a new prequel trilogy, Repairman Jack: The Early Years by F. Paul Wilson. It's February 1992. Desert Storm is raging in Iraq but twenty-two-year-old Jack has more pressing matters at home. His favorite bar, The Spot, is about to be sold out from under Julio, Jack's friend. Jack has been something of a tag-along to this point, but now he takes the reins and demonstrates his innate talent for seeing biters get bit. With a body count even higher than in Cold City, this second novel of the Early Years Trilogy hurtles Jack into the final volume in which all scores will be settled, all debts paid. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Batman Vol 5 Zero Year Dark City The New 52 Batman Vol 5 Zero Year Dark City The New 52



... WAYNE Senior VP — Sales BATMAN VOLUME 5: ZERO YEAR—DARK CITY Published by DC Comics. Copyright © 2014 DC Comics. All Rights Reserved. Originally published in single magazine form in BATMAN 252129-33 © 2014 DC Comics.

Author: Scott Snyder

Publisher: DC

ISBN: 9781401255787

Category:

Page:

View: 284

Before the Batcave and Robin, the Joker and the Batmobile ... there was ZERO YEAR. The Riddler has plunged Gotham City into darkness. How will a young Dark Knight bring his beloved hometown from the brink of chaos and madness and back into the light? From the critically acclaimed, New York Times #1 best-selling creative team of Scott Snyder and Greg Capullo, BATMAN VOL. 5: ZERO YEAR--DARK CITY is the concluding volume to Batman's origin story, as you've never seen it before. Collects Batman #25-27, 29-33.

Awake in the DarkAwake in the Dark



If it is true, as the German director Werner Herzog believes, that we live in an age starved of new images, then Dark City is a film to nourish us. Not a story so much as an experience, it is a triumph of art direction, set design, ...

Author: Roger Ebert

Publisher: University of Chicago Press

ISBN: 9780226182018

Category:

Page: 512

View: 295

Roger Ebert has been writing film reviews for the Chicago Sun-Times for nearly forty years. And during those four decades, his wide knowledge, keen judgment, prodigious energy, and sharp sense of humor have made him America’s most celebrated film critic. He was the first such critic to win a Pulitzer Prize—one of just three film critics ever to receive that honor—and the only one to have a star dedicated to him on the Hollywood Walk of Fame. His groundbreaking hit TV show, At the Movies, meanwhile, has made “two thumbs up” one of the most coveted hallmarks in the entire industry. No critic alive has reviewed more movies than Roger Ebert, and yet his essential writings have never been collected in a single volume—until now. With Awake in the Dark, both fans and film buffs can finally bask in the best of Ebert’s work. The reviews, interviews, and essays collected here present a picture of this indispensable critic’s numerous contributions to the cinema and cinephilia. From The Godfather to GoodFellas, from Cries and Whispers to Crash, the reviews in Awake in the Dark span some of the most exceptional periods in film history, from the dramatic rise of rebel Hollywood and the heyday of the auteur, to the triumph of blockbuster films such as Star Wars and Raiders of the Lost Ark, to the indie revolution that is still with us today. The extraordinary interviews gathered in Awake in the Dark capture Ebert engaging not only some of the most influential directors of our time—Martin Scorsese, Steven Spielberg, Woody Allen, Robert Altman, Werner Herzog, and Ingmar Bergman—but also some of the silver screen’s most respected and dynamic personalities, including actors as diverse as Robert Mitchum, James Stewart, Warren Beatty, and Meryl Streep. Ebert’s remarkable essays play a significant part in Awake in the Dark as well. The book contains some of Ebert’s most admired pieces, among them a moving appreciation of John Cassavetes and a loving tribute to the virtues of black-and-white films. If Pauline Kael and Andrew Sarris were godmother and godfather to the movie generation, then Ebert is its voice from within—a writer whose exceptional intelligence and daily bursts of insight and enthusiasm have shaped the way we think about the movies. Awake in the Dark, therefore, will be a treasure trove not just for fans of this seminal critic, but for anyone desiring a fascinating and compulsively readable chronicle of film since the late 1960s.

Dark HorizonsDark Horizons



In this light , I want to look at four films from the end of the twentieth century — Pleasantville ( 1998 ) , Dark City ( 1998 ) , The Truman Show ( 1998 ) and The Matrix ( 1999 ) —which portray illusory , constructed realities that are ...

Author: Tom Moylan

Publisher: Psychology Press

ISBN: 0415966140

Category:

Page: 264

View: 304

These essays draw out the ways in which contemporary science fiction literature and film has served as a prophetic vehicle for writers with ethical and political concerns.

The Blade Runner ExperienceThe Blade Runner Experience



Cities', in this volume, suggests that elements of PKD and Blade Runner's inde Runner de Runner fluence can also be seen in a ... Dark City(1998), Dark City Dark City Soldier(1998),SoldierSoldier eXistenz (1999) and The Matrix (1999).

Author: Will Brooker

Publisher: Columbia University Press

ISBN: 9780231501798

Category:

Page: 240

View: 972

Since its release in 1982, Ridley Scott's Blade Runner, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep?, has remained a cult classic through its depiction of a futuristic Los Angeles; its complex, enigmatic plot; and its underlying questions about the nature of human identity. The Blade Runner Experience: The Legacy of a Science Fiction Classic examines the film in a broad context, examining its relationship to the original novel, the PC game, the series of sequels, and the many films influenced by its style and themes. It investigates Blade Runner online fandom and asks how the film's future city compares to the present-day Los Angeles, and it revisits the film to pose surprising new questions about its characters and their world.

The SAGE Companion to the CityThe SAGE Companion to the City



In movies like Sin City and Dark City, the agoraphobe is treated to continual retreats to strangely familiar alleyways and backdoor entrances. Callard notes that in the late nineteenth century, commentators circled around two ...

Author: Tim Hall

Publisher: SAGE

ISBN: 9781849208291

Category:

Page: 408

View: 200

"This book pulls together an exceptional range of literature in addressing the complexity of contemporary patterns and processes of urbanization. It offers a rich array of concepts and theories and is studded with fascinating examples that illustrate the changing nature of cities and urban life" - Paul Knox, Virginia Tech University "The SAGE Companion to the City is a tour-de-force of contemporary urban studies. At once a stocktake, showcase and springboard for scholarly approaches to cities and city life, the editors have assembled a cohesive and convincing set of lucid, insightful and critical essays of great quality. Eschewing grand theory and deadening encyclopediasm, the contributors refresh both longstanding concerns and explore new themes in ways both brilliantly accessible to newcomers and satisfying to the cognoscenti." - Robert Freestone, University of New South Wales Organized in four sections The SAGE Companion to the City provides a systematic A-Z to understanding the city that explains the interrelations between society, culture and economy. Histories: explores power, religion, science and technology, modernity, and the landscape of the city. Economies and Inequalities: explores work and leisure, globalisation, innovation, and the role of the state. Communities: explores migration and settlement, segregation and division, civility, housing and homelessness. Order and Disorder: explores politics and policy, planning and conflict, law and order, surveillance and terror. An accessible guide to all areas of urban studies, the text offers both a contemporary cutting edge reflection and measured historical and geographical reflection on urban studies. It will be essential reading for students of any discipline interested in the city as an object of study.

Beyond MemoryBeyond Memory



male singer. the arrangement saw the formation of the Dark city Sisters fronted by the late Big Voice Jack Lerole in 1959. the group's name was influenced by alexandra's nickname “Dark city”, earned through its lack of electric lights ...

Author: Max Mojapelo

Publisher: African Minds

ISBN: 9781920299286

Category:

Page: 360

View: 465

"South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. If one peruses the books that exist on South African popular music, one still finds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the music of the black communities. Beyond memory: recording the history, moments and memories of South African music is an invaluable publication becauseit offers a first-hand account of the South African music scene of the past decades from the pen of Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a DJ at the South African Broadcasting Corporation. This book -astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries"--Publisher's description.

The Media CityThe Media City



(Stephen Coons 1968)1 In Alex Proyas' film Dark City (1997) a man wakes up in a room with a dead woman who has been brutally murdered. His memory is hazy, fragmented. He can't remember what happened. He can't remember his own name.

Author: Scott McQuire

Publisher: SAGE

ISBN: 9781849202602

Category:

Page: 240

View: 850

"If only more new media commentators had this level of historical-critical reference, engaging, good stories, and a degree of wonder at what media and windows bring to the city, to life." - John Hutnyk, Goldsmiths, University of London "Just when you thought the last word had been said about cities and media, along comes Scott McQuire to breathe new life into the debate. When revisiting existing pathways, his always ingenious eyes produce startling and original insights. When striking out into new territory, he opens up before us inspiring new vistas. I love this book." - James Donald, University of New South Wales "A book that crams into a single chapter more insights and illustrations than seems feasible, yet which ties all threads together through a consistent, theoretically rich analysis of the interplay of media and city... Writing with effusiveness uncharacteristic of back-cover blurbs on academic tomes, James Donald says 'I love this book'. But I will end by echoing his praise, and make a promise to readers: you will love The Media City, too." - European Journal of Communication "Refreshingly clear, getting to grips with some of the key concepts of urban sociology in a way that moves beyond the wistful evocation and splatter of undigested terms that characterises so much academic writing on culture and cities." - Media, Culture & Society Significant changes are occurring in the spaces and rhythms of contemporary cities and in the social functioning of media. This forceful book argues that the redefinition of urban space by mobile, instantaneous and pervasive media is producing a distinctive mode of social experience. Media are no longer separate from the city. Instead the proliferation of spatialized media platforms has produced a media-architecture complex - the media city. Offering critical and historical analysis at the deepest levels, The Media City links the formation of the modern city to the development of modern image technologies and outlines a new genealogy for assessing contemporary developments such as digital networks and digital architecture, web cams and public screens, surveillance society and reality television. Wide-ranging and thoughtfully illustrated, it intersects disciplines and connects phenomena which are too often left isolated from each other to propose a new way of understanding public and private space and social life in contemporary cities. It will find a broad readership in media and communications, cultural studies, social theory, urban sociology, architecture and art history. Winner of the 2009 Jane Jacobs Urban Communication Award, awarded by the Urban Communication Association.

Cities and CinemaCities and Cinema



Proyas's DarkCity (1998). Paradoxically, these films fetishize, celebrate, andrely ontheirown technological advancesin camera and animation technologyandin specialeffects. In theselater films, however, the built environment of the ...

Author: Barbara Mennel

Publisher: Routledge

ISBN: 9781134219834

Category:

Page: 256

View: 648

Films about cities abound. They provide fantasies for those who recognize their city and those for whom the city is a faraway dream or nightmare. How does cinema rework city planners’ hopes and city dwellers’ fears of modern urbanism? Can an analysis of city films answer some of the questions posed in urban studies? What kinds of vision for the future and images of the past do city films offer? What are the changes that city films have undergone? Cities and Cinema puts urban theory and cinema studies in dialogue. The book’s first section analyzes three important genres of city films that follow in historical sequence, each associated with a particular city, moving from the city film of the Weimar Republic to the film noir associated with Los Angeles and the image of Paris in the cinema of the French New Wave. The second section discusses socio-historical themes of urban studies, beginning with the relationship of film industries and individual cities, continuing with the portrayal of war torn and divided cities, and ending with the cinematic expression of utopia and dystopia in urban science fiction. The last section negotiates the question of identity and place in a global world, moving from the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire, to end with the representation of the global city in transnational cinematic practices. The book suggests that modernity links urbanism and cinema. It accounts for the significant changes that city film has undergone through processes of globalization, during which the city has developed from an icon in national cinema to a privileged site for transnational cinematic practices. It is a key text for students and researchers of film studies, urban studies and cultural studies.