Archival FuturesArchival Futures



Firmly rooted in current professional debate and scholarship, Archival Futures offers thought provoking and accessible chapters that aim to challenge and inspire archivists globally and to encourage debate about their futures.

Author: Caroline Brown

Publisher: Facet Publishing

ISBN: 1783301821

Category:

Page: 224

View: 682

Firmly rooted in current professional debate and scholarship, Archival Futures offers thought provoking and accessible chapters that aim to challenge and inspire archivists globally and to encourage debate about their futures.

Decolonial Archival FuturesDecolonial Archival Futures



Providing examples of successful approaches to unsettling Western archival paradigms from Canada, the United States, New Zealand, and Australia, this book showcases vital community archival work that will illuminate decolonial archival ...

Author: Krista McCracken

Publisher: ALA Neal-Schuman

ISBN: 0838937152

Category:

Page: 112

View: 818

Providing examples of successful approaches to unsettling Western archival paradigms from Canada, the United States, New Zealand, and Australia, this book showcases vital community archival work that will illuminate decolonial archival practices for archivists, curators, heritage practitioners, and others responsible for the stewardship of materials by and about Indigenous communities.

Collections Vol 9Collections Vol 9



The Future of Archives Richard J. Cox Abstract Professor, Archival Studies at the ... this essay argues there are many potential futures for archives.

Author: Collections

Publisher: Rowman & Littlefield

ISBN: 9781442267879

Category:

Page: 78

View: 234

"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.

Gender and Archiving Past Present FutureGender and Archiving Past Present Future



To be clear, revisiting past-futures is an inadequate gesture on its own. ... Notes 1 Kate Eichhorn, The Archival Turn in Feminism (Philadelphia:Temple ...

Author: Renée Römkens

Publisher: Uitgeverij Verloren

ISBN: 9789087046514

Category:

Page: 173

View: 445

This 37th volume of the Yearbook of Women's History focuses on the meaning and potential of archiving for enhancing gender equality and the position of women worldwide. More than just storehouses of knowledge, archives offer new ways for understanding the past, debating the present and creating the future. Focusing on both traditional and non-traditional archival practices, in various parts of the world, the Yearbook of Women’s History explores the meaning of archiving for women and women’s history. Besides investigating the feminist potential of the archive, it also examines questions of erasure and forgetting. While archives may have emancipatory or democratizing potential, practices of discarding equally shape the histories that can be written, and the stories that can be told. The articles in this volume are alternated with descriptions of collections and institutes, and the topics addressed cover a full range of archival theory and practice. This volume has been produced by the editorial board of the Yearbook of Women's History in collaboration with Atria, institute on gender equality and women's history in Amsterdam, the Netherlands.

Queer FuturesQueer Futures



Put differently, the ethnic and women's studies movements applied pressures on the archival conventions of the academy in an effort to stretch those ...

Author: Elahe Haschemi Yekani

Publisher: Routledge

ISBN: 9781317072768

Category:

Page: 254

View: 309

Following debates surrounding the anti-social turn in queer theory in recent years, there has been a renewed interest in the role of activism, the limits of the political, and the question of normativity and ethics. Queer Futures engages with these concerns, exploring issues of complicity and agency with a central focus on the material and economic as well as philosophical dimensions of sexual politics. Presenting some of the latest research in queer theory, this book draws together diverse perspectives to shed light on possible ’queer futures’ when different affective, temporal, and local contexts are brought into play. As such, it will appeal to scholars of cultural, political, literary, and social theory, as well as those with interests in gender and sexuality, activism, and queer theory.

Liner Notes for the RevolutionLiner Notes for the Revolution



Ann Cvetkovich, “Queer Archival Futures: Case Study Los Angeles,” in “On the ... Black Political Possibility, and Poetry from the Future,” GLQ 15, no.

Author: Daphne A. Brooks

Publisher: Harvard University Press

ISBN: 9780674258815

Category:

Page: 608

View: 795

An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae’s liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals.

Science in the ArchivesScience in the Archives



Pasts, Presents, Futures Lorraine Daston ... We are in the midst of an archival moment, simultaneously overwhelmed by the sheer amount of available ...

Author: Lorraine Daston

Publisher: University of Chicago Press

ISBN: 9780226432533

Category:

Page: 392

View: 355

Archives bring to mind rooms filled with old papers and dusty artifacts. But for scientists, the detritus of the past can be a treasure trove of material vital to present and future research: fossils collected by geologists; data banks assembled by geneticists; weather diaries trawled by climate scientists; libraries visited by historians. These are the vital collections, assembled and maintained over decades, centuries, and even millennia, which define the sciences of the archives. With Science in the Archives, Lorraine Daston and her co-authors offer the first study of the important role that these archives play in the natural and human sciences. Reaching across disciplines and centuries, contributors cover episodes in the history of astronomy, geology, genetics, philology, climatology, medicine, and more—as well as fundamental practices such as collecting, retrieval, and data mining. Chapters cover topics ranging from doxology in Greco-Roman Antiquity to NSA surveillance techniques of the twenty-first century. Thoroughly exploring the practices, politics, economics, and potential of the sciences of the archives, this volume reveals the essential historical dimension of the sciences, while also adding a much-needed long-term perspective to contemporary debates over the uses of Big Data in science.

ArchivesArchives



... thinkers and practitioners, the intensity of contemporary interest in archives would be unmatched by any commitment to intervene in archival futures.

Author: Andrew Lison

Publisher: U of Minnesota Press

ISBN: 9781452961859

Category:

Page: 112

View: 204

How digital networks and services bring the issues of archives out of the realm of institutions and into the lives of everyday users Archives have become a nexus in the wake of the digital turn. Electronic files, search engines, video sites, and media player libraries make the concepts of “archival” and “retrieval” practically synonymous with the experience of interconnected computing. Archives today are the center of much attention but few agendas. Can archives inform the redistribution of power and resources when the concept of the public library as an institution makes knowledge and culture accessible to all members of society regardless of social or economic status? This book sets out to show that archives need our active support and continuing engagement. This volume offers three distinct perspectives on the present status of archives that are at once in disagreement and solidarity with each other, from contributors whose backgrounds cut across the theory–practice divide. Is the increasing digital storage of knowledge pushing us toward a turning point in its democratization? Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle? Is there a downside to the present-day impulse toward total preservation?

The African Photographic ArchiveThe African Photographic Archive



... though there is across the volume a deliberate sense that the questions posed by the shift of attention from archival pasts to archival futures, ...

Author: Christopher Morton

Publisher: Routledge

ISBN: 9781000213041

Category:

Page: 260

View: 648

African photography has emerged as a significant focus of research and scholarship over the last twenty years, the result of a growing interest in postcolonial societies and cultures and a turn towards visual evidence across the humanities and social sciences. At the same time, many rich and fascinating photographic collections have come to light. This volume explores the complex theoretical and practical issues involved in the study of African photographic archives, based on case studies drawn from across the continent dating from the 19th century to the present day. Chapters consider what constitutes an archive, from the familiar mission and state archives to more local, vernacular and personal accumulations of photographs; the importance of a critical and reflexive engagement with photographic collections; and the question of where and what is ‘Africa’, as constructed in the photographic archive. Essential reading for all researchers working with photographic archives, this book consolidates current thinking on the topic and sets the agenda for future research in this field.

Documenting PerformanceDocumenting Performance



The Context and Processes of Digital Curation and Archiving Toni Sant ... 274 The digital and the spatio-temporal Online dance Dance Archival Futures 273.

Author: Toni Sant

Publisher: Bloomsbury Publishing

ISBN: 9781472588197

Category:

Page: 392

View: 184

Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers.

Future HistoryFuture History



As Anne J. Gilliland and Michelle Caswell define it, an “impossible archival imaginary” builds on Caswell's earlier notion of the “archival imaginary,” ...

Author: Kristina Bross

Publisher: Oxford University Press

ISBN: 9780190665135

Category:

Page: 227

View: 737

'Future History' analyzes English and American writings that imagine England on a global stage well before England became an empire or the United States became a global power. Through close readings, historical contextualization, application of archival theory, and careful speculation, the work traces the ways that English and American writers imagined the East Indies and the West Indies as interconnected

Bauhaus FuturesBauhaus Futures



28 Moholy's photograph is the archival ideal, not the real. What the camera catches in that moment is the force of an agential cut29 in the ongoing, ...

Author: Laura Forlano

Publisher: MIT Press

ISBN: 9780262354936

Category:

Page: 376

View: 307

Essays, photo-essays, interviews, manifestos, diagrams, and a play explore the varied legacies, influences, and futures of the Bauhaus. What would keep the Bauhaus up at night if it were practicing today? A century after its founding by Walter Gropius in Weimar, Germany, as an “experimental laboratory of the future,” who are the pioneering experimentalists who reinscribe or resist Bauhaus traditions? This book explores the varied legacies, influences, and futures of the Bauhaus. Many of the animating issues of the Bauhaus—its integration of research, teaching, and practice; its experimentation with materials; its democratization of design; its open-minded, heterogeneous approach to ideas, theories, methods, and styles—remain relevant. The contributors to Bauhaus Futures address these but go further, considering issues that design has largely ignored for the last hundred years: gender, race, ethnicity, class, sexuality, and disability. Their contributions take the form of essays, photo-essays, interviews, manifestos, diagrams, and even a play. They discuss, among other things, the Bauhaus curriculum and its contemporary offshoots; Bauhaus legacies at the MIT Media Lab, Black Mountain College, and elsewhere; the conflict between the Bauhaus ideal of humanist universalism and current approaches to design concerned with race and justice; designed objects, from the iconic to the precarious; textile and weaving work by women in the Bauhaus and the present day; and design and technology. Contributors Alice Arnold, Jeffrey Bardzell, Shaowen Bardzell, Karen Kornblum Berntsen, Marshall Brown, Stuart Candy, Jessica Charlesworth, Elizabeth J. Chin, Taeyoon Choi, B. Coleman, Carl DiSalvo, Michael J. Golec, Kate Hennessy, Matthew Hockenberry, Joi Ito, Denisa Kera, N. Adriana Knouf, Silvia Lindtner, Shannon Mattern, Ramia Mazé, V. Mitch McEwen, Oliver Neumann, Paul Pangaro, Tim Parsons, Nassim Parvin, Joanne Pouzenc, Luiza Prado de O. Martin, Daniela K. Rosner, Natalie Saltiel, Trudi Lynn Smith, Carol Strohecker, Alex Taylor, Martin Thaler, Fred Turner, Andre Uhl, Jeff Watson, Robert Wiesenberger

A Place That Matters YetA Place That Matters Yet



"Ethnologised Pasts and Their Archival Futures: Construing the Archive of Pre- and Early Colonial Southern KwaZulu-Natal." Paper presented to the colloquium ...

Author: Sara Byala

Publisher: University of Chicago Press

ISBN: 9780226030449

Category:

Page: 352

View: 755

A Place That Matters Yet unearths the little-known story of Johannesburg’s MuseumAfrica, a South African history museum that embodies one of the most dynamic and fraught stories of colonialism and postcolonialism, its life spanning the eras before, during, and after apartheid. Sara Byala, in examining this story, sheds new light not only on racism and its institutionalization in South Africa but also on the problems facing any museum that is charged with navigating colonial history from a postcolonial perspective. Drawing on thirty years of personal letters and public writings by museum founder John Gubbins, Byala paints a picture of a uniquely progressive colonist, focusing on his philosophical notion of “three-dimensional thinking,” which aimed to transcend binaries and thus—quite explicitly—racism. Unfortunately, Gubbins died within weeks of the museum’s opening, and his hopes would go unrealized as the museum fell in line with emergent apartheid politics. Following the museum through this transformation and on to its 1994 reconfiguration as a post-apartheid institution, Byala showcases it as a rich—and problematic—archive of both material culture and the ideas that surround that culture, arguing for its continued importance in the establishment of a unified South Africa.

Forgotten Futures Colonized PastsForgotten Futures Colonized Pasts



Archival. Ghosts,. Past. and. Future. In the final days of the siege of the Alamo (February 23–March 6, 1836), a turning point in the Texas Revolution ...

Author: Cara Anne Kinnally

Publisher: Rutgers University Press

ISBN: 9781684481248

Category:

Page: 248

View: 428

Forgotten Futures, Colonized Pasts traces the existence of a now largely forgotten history of inter-American alliance-making, transnational community formation, and intercultural collaboration between Mexican and Anglo American elites. This communion between elites was often based upon Mexican elites’ own acceptance and reestablishment of problematic socioeconomic, cultural, and ethno-racial hierarchies that placed them above other groups—the poor, working class, indigenous, or Afro-Mexicans, for example—within their own larger community of Greater Mexico. Using close readings of literary texts, such as novels, diaries, letters, newspapers, political essays, and travel narratives produced by nineteenth-century writers from Greater Mexico, Forgotten Futures, Colonized Pasts brings to light the forgotten imaginings of how elite Mexicans and Mexican Americans defined themselves and their relationship with Spain, Mexico, the United States, and Anglo America in the nineteenth century. These “lost” discourses—long ago written out of official national narratives and discarded as unrealized or impossible avenues for identity and nation formation—reveal the rifts, fractures, violence, and internal colonizations that are a foundational, but little recognized, part of the history and culture of Greater Mexico. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Do Archives Have Value Do Archives Have Value



Archival Futures, Facet Publishing. Nannelli, E. (2009) Memory, Records, History: the records of the Commission for Reception, Truth and Reconciliation in ...

Author: Michael Moss

Publisher: Facet Publishing

ISBN: 9781783303328

Category:

Page: 240

View: 759

This book will explore ways of establishing value in the archives by using a variety of methodologies and exploring a range of contexts. In the United Kingdom DCMS uses various valuation matrices to allocate resources, whilst other organizations both internationally and domestically (such as local authorities and universities) are following suit. In some contexts in the UK, other developed countries, and particularly developing countries, archives have an evidential value to redress grievances and to assist in the fight against fraud and corruption. The retention of records for evidential value demands the retention of case papers relating to individuals that until now have not normally been retained. As more and more record keeping becomes digital, costs of preservation will inevitably increase which makes developing methodologies to justify additional costs urgent, particularly in poorly resourced developing countries which have been encouraged to go digital by aid agencies and donor countries. This book will be useful reading for professional archivists and students on archival studies courses. In the wider world of cultural heritage valuation is of increasing importance in justifying services and bidding for scant resources. As a result, Do Archives Have Value? will also be of interest to senior management with oversight of libraries and museums, owners of collections and external funders.

Becoming PalestineBecoming Palestine



Toward an Archival Imagination of the Future Gil Z. Hochberg ... 48 This does not mean that archival imagination, which is directed at a future, ...

Author: Gil Z. Hochberg

Publisher: Duke University Press

ISBN: 9781478022138

Category:

Page: 206

View: 812

In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.

The UNESCO Memory of the World ProgrammeThe UNESCO Memory of the World Programme



In C. Brown (Ed.), Archival futures (pp. 117–137). London: Facet. National Institute of Standards and Technology (NIST). (2009).

Author: Ray Edmondson

Publisher: Springer Nature

ISBN: 9783030184414

Category:

Page: 340

View: 649

The volume “The UNESCO Memory of the World Programme: Key Aspects and Recent Developments” responds to the growing interest in the scientific study of the Memory of the World Programme (MoW) and its core concept of documentary heritage, which has received little attention from scholarship so far. This sixth publication in the Heritage Studies Series provides a first collection of differing approaches (including reflected reports, essays, research contributions, and theoretical reflections) for the study of the MoW Programme, offering a basis for follow-up activities. The volume, edited by Ray Edmondson, Lothar Jordan and Anca Claudia Prodan, brings together 21 scholars from around the globe to present aspects deemed crucial for understanding MoW, its development, relevance and potential. The aim is to encourage academic research on MoW and to enhance the understanding of its potential and place within Heritage Studies and beyond.

Drawing FuturesDrawing Futures



Unravelling and visualising these histories involves a complex negotiation between text-based archival documents, historic surveys and maps and other forms ...

Author: Bob Sheil

Publisher: UCL Press

ISBN: 9781911307266

Category:

Page: 288

View: 706

Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie.Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas.

Futures and FictionsFutures and Fictions



contrast the archival images are a cold blue. So there is a kind of switching of the kind of semiotics of what you would associate with these colours.

Author: Simon O'Sullivan

Publisher: Watkins Media Limited

ISBN: 9781910924648

Category:

Page: 408

View: 172

Futures and Fictions is a book of essays and conversations that explore possibilities for a different ‘political imaginary’ or, more simply, the imagining and imaging of alternate narratives and image-worlds that might be pitched against the impasses of our neoliberal present. In particular, the book contributes to prescient discussions around decolonization, post-capitalism and new kinds of social movements – exploring the intersections of these with contemporary art practice and visual culture. Contributions range from work on science, sonic and financial fictions and alternative space-time plots to myths and images generated by marginalized and ‘minor’ communities, queer-feminist strategies of fictioning, and the production of new Afro- and other futurisms. Contributors to thsi volume include Ursula K. Le Guin, Theo Reeves-Evisson, Bridget Crone, Kodwo Eshun, Louis Moreno, Laboria Cuboniks, Luciana Parisi, Stefan Helmreich, Mark Fisher, Judy Thorne, Annett Busch, Harold Offeh, Robin Mackay, Elvira Dyangani Ose, Kemang Wa Lehulere, and Oreet Ashery.